Ruskin and the Religion of BeautyGeorge Allen, 1899 - 301 страница |
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Страница 205
... chiaroscuro of Salvator Rosa , of Rembrandt , or of Ribera . She does not allow herself great divi- sions of light and shade , she repudiates illuminated dungeons , the play of dark lanterns and pistol shots in caverns , she abhors ...
... chiaroscuro of Salvator Rosa , of Rembrandt , or of Ribera . She does not allow herself great divi- sions of light and shade , she repudiates illuminated dungeons , the play of dark lanterns and pistol shots in caverns , she abhors ...
Страница 210
... chiaroscuro , which is quite V different : " Here is an Arabian vase , in which the pleasure given to the eye is only by lines ; —no effect of light , or of colour is attempted . Here is a moon- light by Turner , in which there are no ...
... chiaroscuro , which is quite V different : " Here is an Arabian vase , in which the pleasure given to the eye is only by lines ; —no effect of light , or of colour is attempted . Here is a moon- light by Turner , in which there are no ...
Страница 212
... chiaroscuro or of shade . We must follow Angelico and Perugino , who are without shade , without sadness , without evil , and not Caravaggio or Spagnoletto , these black slaves of painting . In ourselves there is no shade any more than ...
... chiaroscuro or of shade . We must follow Angelico and Perugino , who are without shade , without sadness , without evil , and not Caravaggio or Spagnoletto , these black slaves of painting . In ourselves there is no shade any more than ...
Страница 232
... chiaroscuro ; to follow her in the repose of her vigorous outline and not in our vain agitations , in her harmony and not in our adjustment , to love her for herself and not for ourselves , and if need be to set ourselves to the most ...
... chiaroscuro ; to follow her in the repose of her vigorous outline and not in our vain agitations , in her harmony and not in our adjustment , to love her for herself and not for ourselves , and if need be to set ourselves to the most ...
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admiration æsthetical æstheticist ALFRED SUTRO architecture artist Autotype better blossom blue Brantwood CHARING CROSS ROAD charm chiaroscuro Claude Lorraine cloth clouds colour Coniston creatures Crown 8vo decoration disciple draw dream earth economists Edition engraving eyes faculty Fcap feel flowers Fra Angelico garden gilt top Giotto give gold Greek grey hand happiness heart heaven Herne Hill honour human ideas imagination instinct JOHN RUSKIN labour landscape laws Laxey Lectures light lilies lines living London look luxury Master mind Modern Painters mountains museum mysterious Nature never painting Palace passed passion peace perhaps Photogravure picture pleasure poor pure rich rocks Ruskin Ruskinian Schaffhausen sculpture seek sentiment social soul speak spirit stones Stones of Venice teach things thought tion touch tree true truth Ulverstone Venice vols Warwick Castle wave wealth whole Woodcuts words workmen