Comedy of errors. Troilus and Cressida. Timon of Athens. Coriolanus. Julius Caesar. Antony and Cleopatra. Cymbeline. Pericles, Prince of TyreT. Cadell, 1833 |
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... turn thy false face , thou traitor , And pay thy life thou ow'st me for my horse ! DIO . Ha ! art thou there ? AJAX . I'll fight with him alone ; stand , Diomed . Dio . He is my prize , I will not look upon : Come both , you cogging ...
... turn thy false face , thou traitor , And pay thy life thou ow'st me for my horse ! DIO . Ha ! art thou there ? AJAX . I'll fight with him alone ; stand , Diomed . Dio . He is my prize , I will not look upon : Come both , you cogging ...
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... . TIM . Had I a steward so true , so just , and now So comfortable ? It almost turns My dangerous nature wild . " ACT IV . S. 3 . Simon of ( achers 107 London Published March 1830 ford 8 TIMON OF ATHENS . TIMON OF ATHENS 8.
... . TIM . Had I a steward so true , so just , and now So comfortable ? It almost turns My dangerous nature wild . " ACT IV . S. 3 . Simon of ( achers 107 London Published March 1830 ford 8 TIMON OF ATHENS . TIMON OF ATHENS 8.
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... turns our swords In our own proper entrails . I pr'ythee , Strato , stay thou by thy lord : Thou art a fellow of a good respect ; ACT V. S. 3 . Thy life hath had some smatch of honour in it : Hold then my sword , and turn away thy face ...
... turns our swords In our own proper entrails . I pr'ythee , Strato , stay thou by thy lord : Thou art a fellow of a good respect ; ACT V. S. 3 . Thy life hath had some smatch of honour in it : Hold then my sword , and turn away thy face ...
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... turn the rudder . She once being loof'd , The noble ruin of her magic , Antony , Claps on his sea - wing , and like a doting mallard , Leaving the fight in height , flies after her . " VII . ACT III . S. 8 . ❝ CLEO . The meeting after ...
... turn the rudder . She once being loof'd , The noble ruin of her magic , Antony , Claps on his sea - wing , and like a doting mallard , Leaving the fight in height , flies after her . " VII . ACT III . S. 8 . ❝ CLEO . The meeting after ...
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... Turn from me then that noble countenance , ( Turning from him . ) ANT . Lo thee . EROS . Farewell , great chief . Shall I strike now ? ANT . Now , Eros . EROS . Why , there then : — : - ( Falls on his sword . ) Thus do I escape the ...
... Turn from me then that noble countenance , ( Turning from him . ) ANT . Lo thee . EROS . Farewell , great chief . Shall I strike now ? ANT . Now , Eros . EROS . Why , there then : — : - ( Falls on his sword . ) Thus do I escape the ...
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Achilles ACT V. S. ÆGE Ægeon Æmilia AJAX Alcibiades ANGELO Antenor Antipholus and Dromio ANTIPHOLUS of Ephesus ANTIPHOLUS of Syracuse ANTONY AND CLEOPATRA AUFIDIUS behold BELARIUS body of PATROCLUS bracelet bringing the gold Brutus Cadell Strand Cæsar Caius Marcius CASS Cassandra Cassius CESAR CLEO CLOTEN COMEDY OF ERRORS CORIOLANUS CORIOLANUS going Courtezan CYMBELINE dead body death Diomed DRAWN AND ENGRAVED DROMIO of Ephesus DROMIO of Syracuse Duke ENGRAVED BY FRANK entreat EROS FRANK HOWARD gold chain Guiderius hath HECT Hector Helen IACH IACHIMO IMOGEN Julius Caesar kneels London Published Aug lord LYSIMACHUS Marina marriage of CYMBELINE master meet ANTIPHOLUS Octavia Patroclus PERICLES PINCH PISANIO Posthumus pray Priam PRINCE OF TYRE REFERENCES DESCRIPTIVE Rome sword taking leave THAISA thee thou art thou hast TIMON OF ATHENS TROILUS AND CRESSIDA Trojans villain Volsces Volscian wife