King LearRandom House Publishing Group, 4. 8. 2009. - 272 страница A king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Страница ix
... audience will not always rise better pleased from the final triumph of persecuted virtue . " It had been in order to impose poetical justice on the play that during the 1680s Nahum Tate , author of the hymn " While Shepherds Watched ...
... audience will not always rise better pleased from the final triumph of persecuted virtue . " It had been in order to impose poetical justice on the play that during the 1680s Nahum Tate , author of the hymn " While Shepherds Watched ...
Страница xiii
... audience , we are the fools on stage . Under the aspect of Folly , we see that a king is no different from any other man . The trappings of monarchy are but a costume : this is both Folly's and Lear's discovery . Erasmus ' Folly tells ...
... audience , we are the fools on stage . Under the aspect of Folly , we see that a king is no different from any other man . The trappings of monarchy are but a costume : this is both Folly's and Lear's discovery . Erasmus ' Folly tells ...
Страница xv
... audience , Cordelia survives and Lear is restored to the throne . The death of Cordelia is all the more painful because it is not the end " promised " by previous literary and theatrical tradition . King Lear is a play full of questions ...
... audience , Cordelia survives and Lear is restored to the throne . The death of Cordelia is all the more painful because it is not the end " promised " by previous literary and theatrical tradition . King Lear is a play full of questions ...
Страница 151
Достигли сте ограничење за преглед ове књиге.
Достигли сте ограничење за преглед ове књиге.
Страница 166
Достигли сте ограничење за преглед ове књиге.
Достигли сте ограничење за преглед ове књиге.
Садржај
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
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Чести термини и фразе
Act 4 Scene actor Adrian Noble Alack Albany Albany's Antony Antony Sher audience bastard beggar blind Brian Cox Burgundy Cordelia Corin Redgrave CORNWALL daughters death disguised dost Dover Duke Duke of Cornwall Edgar editors Edmund Enter Lear Exeunt Exit eyes father feel Following fortune France GENTLEMAN give gods Goneril Goneril and Regan grace hath heart human Ian McKellen Jonathan Bate KENT KENT LEAR King Lear kingdom knave LEAR FOOL LEAR KENT Lear's letter Lines look lord madam messenger Michael Gambon nature night nuncle performance Peter Brook pity played Lear poor Pray production Q corrected Q uncorrected Quarto text Regan role Royal Shakespeare Company running scene sense servant Shake Shakespeare sister speak speech stage storm tell theater thee there's thine things Tragedy traitor Trevor Nunn trumpet villain