the obtaining of which, as neither vanity, party, nor fear, had any share, so he supported his title to it by all the offices of true friendship. 'NoT to admire, is all the art I know, To make men happy, and to keep them so.' (Plain truth, dear Murray, needs no flowers of speech, So take it in the very words of Creech.) This vault of air, this congregated ball, Admire we then what earth's low entrails hold, All the mad trade of fools and slaves for gold? If weak the pleasure that from these can spring The unbalanced mind, and snatch the man away Go then, and if you can, admire the state If not so pleased, at council-board rejoice Shall one whom nature, learning, birth conspired Sigh while his Chloe, blind to wit and worth, Rack'd with sciatics, martyr'd with the stone, See Ward by batter'd beaux invited over, And desperate misery lays hold on Dover. 'The case is easier in the mind's disease; There all men may be cured whene'er they please Would ye be bless'd? despise low joys, low gains; Disdain whatever Cornbury disdains; Be virtuous, and be happy for your pains. But art thou one, whom new opinions sway? One who believes as Tindal leads the way, Who virtue and a church alike disowns, Thinks that but words, and this but brick and stones? Fly then on all the wings of wild desire, Admire whate'er the maddest can admire. Is wealth thy passion? Hence! from pole to pole, Where winds can carry, or where waves can roll; For Indian spices, for Peruvian gold, Take the whole house upon the poet's day Now, in such exigences not to need, Upon my word, you must be rich indeed; A noble superfluity it craves, Not for yourself, but for your fools and knaves, Something, which for your honour they may cheat, And which it much becomes you to forget. If wealth alone then make and keep us bless'd, Still, still be getting, never, never rest. But if to power and place your passion lie, If in the pomp of life consist the joy; This may be troublesome, is near the chair; Then turn about, and laugh at your own jest Or if your life be one continued treat, If to live well means nothing but to eat; Up, up! cries gluttony, 'tis break of day, Go drive the deer, and drag the finny prey; With hounds and horns go hunt an appetite-So Russel did, but could not eat at night, Call'd happy dog! the beggar at his door, And envied thirst and hunger to the poor. Or shall we every decency confound; Through taverns, stews, and bagnios take our round; Go dine with Chartres, in each vice outdo K-l's lewd cargo, or Ty-y's crew; From Latian sirens, French Circæan feasts, Return well travell'd, and transform'd to beasts; Or for a titled punk, or foreign flame, Renounce our country, and degrade our name? E'en take the counsel which I gave you first: Or better precepts if you can impart, Why do; I'll follow them with all my heart. BOOK II.-EPISTLE I. TO AUGUSTUS. ADVERTISEMENT. The reflections of Horace, and the judgments passed in his Epistle to Augustus, seemed so seasonable to the present times, that I could not help applying them to the use of my own country. The author thought them considerable enough to address them to his prince, whom he paints with all the great and good qualities of a monarch, upon whom the Romans depended for the increase of an absolute empire. But to make the poem entirely English, I was willing to add one or two of those which contribute to the happiness of a free people, and are more consistent with the welfare of our neighbours. This Epistle will show the learned world to have fallen into two mistakes: one, that Augustus was the patron of poets in general; whereas he not only prohibited all but the best writers to name him, but recommended that care even to the civil magistrate. Admonebat prætores, ne paterentur nomen suum obsolefieri, &c. The other, that this piece was only a general discourse of poetry; whereas it was an apology for the poets, in order to render Augustus more their patron. Horace here pleads the cause of his contemporaries, first against the taste of the town, whose humour it was to magnify the authors of the preceding age; secondly, against the court and nobility, who encourage only the writers for the theatre; and lastly, against the emperor himself, who had conceived them of little use to the government. He shows (by a view of the progress of learning, and the change of taste among the Romans) that the introduction of the polite arts of Greece had given the writers of his time great advantages over their prede. cessors; that their morals were much improved, and the licence of those ancient poets restrained ; that satire and comedy were become more just and useful; that whatever extravagances were left on the stage, were owing to the ill taste of the nobility; that poets, under due regulations, were in many respects useful to the state; and concludes, that it was upon them the emperor himself must depend for his fame with posterity. We may further learn from this Epistle, that Horace made his court to this great prince, by writing with a decent freedom towards him, with a just contempt of his low flatterers, and with a manly regard to his own character |