The Making of Theatre HistoryPAUL KURITZ, 1988 - 468 страница |
Из књиге
Резултати 1-5 од 49
Страница
... Critics 55 Mime 55 Pantomime 54 57 New Religions Rival the Old Theatre A New Myth for a New Drama 60 The Spread of the New Mythology The Triumph of Christianity 62 Notes 62 60 The Empire 37 The Roman Family : The Subject of the Drama 38 ...
... Critics 55 Mime 55 Pantomime 54 57 New Religions Rival the Old Theatre A New Myth for a New Drama 60 The Spread of the New Mythology The Triumph of Christianity 62 Notes 62 60 The Empire 37 The Roman Family : The Subject of the Drama 38 ...
Страница
... Critics and the People 250 Notes 251 253 253 A New Vision of Community 254 Poetry over Plot 255 The Genius 255 Nature and History 256 OVERVIEW 252 The End of Revolution Industrialism and Imperialism Orientalism 254 Transcendental ...
... Critics and the People 250 Notes 251 253 253 A New Vision of Community 254 Poetry over Plot 255 The Genius 255 Nature and History 256 OVERVIEW 252 The End of Revolution Industrialism and Imperialism Orientalism 254 Transcendental ...
Страница 1
Жао нам је, садржај ове странице је ограничен.
Жао нам је, садржај ове странице је ограничен.
Страница 11
Жао нам је, садржај ове странице је ограничен.
Жао нам је, садржај ове странице је ограничен.
Страница 12
Жао нам је, садржај ове странице је ограничен.
Жао нам је, садржај ове странице је ограничен.
Садржај
Magic and Ritual | 6 |
GREECE 15 | 17 |
The Cult of Dionysus and the Emergence | 19 |
Music and Dance | 25 |
The Atellan Farce | 41 |
Social Status of the Actor | 47 |
ROME 36 | 53 |
New Religions Rival the Old Theatre | 59 |
The Theatrical Revolution | 159 |
Serlio | 166 |
FRANCE | 197 |
Reason and Industry | 203 |
Social Revolution | 209 |
LOpéra | 215 |
Cavalier Culture | 239 |
Notes | 251 |
The Actors Technique | 66 |
Performance | 72 |
CHINA | 83 |
Society on Stage | 85 |
Acting in the Beijing Opera | 91 |
The Golden Age and a New Drama 99 | 115 |
Enduring NonChristian Rituals | 121 |
Tropes | 127 |
Drama in the Religious Controversy | 147 |
OVERVIEW | 153 |
Transcendental Aesthetics | 256 |
Dramatic Texts | 262 |
OVERVIEW 252 | 276 |
AMERICA | 284 |
ActorManagers | 299 |
OVERVIEW | 305 |
Photography | 311 |
FRANCE | 318 |
Problem Plays | 327 |
85 | 408 |
Чести термини и фразе
acting action actors aesthetic American Antonin Artaud artists atre audience became began Beijing opera born bourgeois Brecht Buddhism century characters Charles Chinese Christian church classical Comédie Française comedy comic commedia dell'arte costume court created culture dance Daoism David Garrick developed dience Dionysus drama dramatic theatre Edmund Kean emotion England English entertainment epic festivals France French German Greek Henry hero human Ibsen ideal ideas Indian individuals Italian Japanese Jews John Philip Kemble kabuki King kyogen Lilly Library lived masks medieval ment modern theatre Molière moved nature neo-classical opera painted passion performance players plays playwright plot poet political popular Press produced realistic reality reigned religious Renaissance revolution Richard III ritual roles romantic romanticism Russian scene scenery Shakespeare social society space stage style symbols theatre's theatrical tion tragedy troupes truth ture University Western William women write wrote York zaju Zeami