"To those who love us!" second fill; But not to those whom we love; Lest we love those who love not us! A third "To thee and me, love!" THE CHEVALIER'S LAMENT. TUNE-Captain O'Kean. THE small birds rejoice in the green leaves returning, The murmuring streamlet winds clear through the vale; The hawthorn-trees blow in the dew of the morning, And wild scattered cowslips bedeck the green dale: But what can give pleasure, or what can seem fair, While the lingering moments are numbered by care? No flowers gaily springing, nor birds sweetly singing, Can soothe the sad bosom of joyless despair. The deed that I dared, could it merit their malice, A king and a father to place on his throne? His right are these hills, and his right are these valleys, Where the wild beasts find shelter, but I can find none. But 'tis not my sufferings thus wretched, forlorn; My brave gallant friends! 'tis your ruin I mourn; Your deeds proved so loyal in hot bloody trial Alas I can make you no sweeter return! EPISTLE TO HUGH PARKER. Written from the farm of Ellisland, upon which Burns entered in June, 1788. IN this strange land, this uncouth clime, A land that Prose did never view it, Except when drunk he stacher't through it; staggered Here, ambush'd by the chimla cheek, 1 Hackles an instrument for dressing flax. chimney smoke Hid in an atmosphere of reek, I hear it- for in vain I leuk. The red peat gleams, a fiery kernel, Dowie she saunters down Nithside, And aye a westlin leuk she throws, Sad While tears hap o'er her auld brown nose! cover Was it for this, wi' canny care, gentle Thou bure the Bard through many a shire? At howes or hillocks never stumbled, And late or early never grumbled? hollows Oh, had I power like inclination, And cast dirt on his godship's face: raise 1 Ellisland is near the borders of the stewartry of Kirkcudbright, a portion of the district popularly called Galloway. 2 His mare. For I could lay my bread and kail Wi' a' this care and a' this grief, But till we meet and weet our whistle, Tak this excuse for nae epistle. broth ROBERT BURNS. I LOVE MY JEAN. TUNE Miss Admiral Gordon's Strathspey. In the spring of 1788 Burns resolved to acknowledge Jean Armour as his wife. Until a proper house should be built at Ellisland she was to remain at Mauchline, with her only surviving child, Burns living in a mere hovel alone on his farm. Or a' the airts the wind can blaw, quarters I dearly like the west, For there the bonny lassie lives, The lassie I lo❜e best: roll There's wild woods grow, and rivers row, And monie a hill between; 1 I see her in the dewy flowers, 1 The commencement of this stanza is given in Johnson's Museum "There wild woods grow," etc., as implying the nature of the scenery in the west. In Wood's Songs of Scotland, the reading is "Though wild woods grow, and rivers row, Wi' monie a hill between, Baith day and night," etc., evidently an alteration designed to improve the logic of the verse. It appears that both readings are wrong, for in the original manuscript of Burns's contributions to Johnson, in the possession of Archibald Hastie, Esq., the line is written: "There wild woods grow," etc., as in our text. Another example will serve to bring this peculiarity of composition more distinctly before the mind of the reader: By Auchtertyre grows the aik, On Yarrow banks the birken shaw; But Phemie was a bonnier lass Than braes o' Yarrow ever saw. I have been reminded that the idea is not new in verse: “ ἐπειὴ μάλα πολλὰ μεταξὺ Ούρεά τε σκιόεντα, θάλασσά τε ήχήεσσα.” Iliad, i. 156. |