Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 страница In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Из књиге
Резултати 1-3 од 56
Страница 251
... Pros- pero's abuse rather than as a sign that he is an " ab- horred slave / Which any print of goodness wilt not take " ( I , ii ) . Prospero must hold onto his image of Caliban as a devil in order to hold onto his idealized image of ...
... Pros- pero's abuse rather than as a sign that he is an " ab- horred slave / Which any print of goodness wilt not take " ( I , ii ) . Prospero must hold onto his image of Caliban as a devil in order to hold onto his idealized image of ...
Страница 252
... Prospero forgives him again , in an even more contemptuous way : For you , most wicked sir , whom to call brother Would even infect my mouth , I do forgive Thy rankest fault - all of them ... ( V , i ) As Bonamy Dobrée ( 1952 ) ...
... Prospero forgives him again , in an even more contemptuous way : For you , most wicked sir , whom to call brother Would even infect my mouth , I do forgive Thy rankest fault - all of them ... ( V , i ) As Bonamy Dobrée ( 1952 ) ...
Страница 253
... Prospero's remarks in the Epilogue are partly a conventional appeal to the audience , he remains in character and expresses sentiments that are in keeping with his psychologi- cal development . When we understand Prospero's ...
... Prospero's remarks in the Epilogue are partly a conventional appeal to the audience , he remains in character and expresses sentiments that are in keeping with his psychologi- cal development . When we understand Prospero's ...
Садржај
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Ауторска права | |
други делови (44) нису приказани
Чести термини и фразе
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing