Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 страница In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Страница 44
... Tempest at the Globe in 1611 were not necessar- ily consonant with its meanings in London in 1674 ( in Dryden's adaptation , The Tempest , or The En- chanted Island ) , or in Ernest Renan's 1878 adaptation ( Caliban : Suite de La ...
... Tempest at the Globe in 1611 were not necessar- ily consonant with its meanings in London in 1674 ( in Dryden's adaptation , The Tempest , or The En- chanted Island ) , or in Ernest Renan's 1878 adaptation ( Caliban : Suite de La ...
Страница 109
... Tempest in a way that offers an alternative to , and an implicit critique of , certain readings produced by American New Historicism and British Cultural Materialism . My larger aim is to discover uses for stylistic criticism that will ...
... Tempest in a way that offers an alternative to , and an implicit critique of , certain readings produced by American New Historicism and British Cultural Materialism . My larger aim is to discover uses for stylistic criticism that will ...
Страница 118
... Tempest and the Discourse of Colonialism , " in Political Shakespeare , ed . Jon- athan Dollimore and Alan Sinfield ( Ithaca : Cor- nell University Press , 1985 ) ; Paul N. Siegel , " Historical Ironies in The Tempest , " Shakespeare ...
... Tempest and the Discourse of Colonialism , " in Political Shakespeare , ed . Jon- athan Dollimore and Alan Sinfield ( Ithaca : Cor- nell University Press , 1985 ) ; Paul N. Siegel , " Historical Ironies in The Tempest , " Shakespeare ...
Садржај
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Ауторска права | |
други делови (44) нису приказани
Чести термини и фразе
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing