Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 страница In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Страница vi
... argue the primacy of authorial meaning ; in the next section , Brooks offers that same read- ing to argue the primacy of textual meaning . And in the following section , Louise Rosenblatt revisits Wordsworth's poem , taking the Hirsch ...
... argue the primacy of authorial meaning ; in the next section , Brooks offers that same read- ing to argue the primacy of textual meaning . And in the following section , Louise Rosenblatt revisits Wordsworth's poem , taking the Hirsch ...
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... argue that the nature of the poem , the nature of readers , or both combined dictate where the critics ' emphasis should be if they are going to do justice to the literary experience . They differ , as we have seen , in their placement ...
... argue that the nature of the poem , the nature of readers , or both combined dictate where the critics ' emphasis should be if they are going to do justice to the literary experience . They differ , as we have seen , in their placement ...
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... argue that even the most " realistic " plot , the most " lifelike " characters and actions , have some degree of distortion , then on the same principle we might argue that the most elaborate plots , the most out- landish caricatures ...
... argue that even the most " realistic " plot , the most " lifelike " characters and actions , have some degree of distortion , then on the same principle we might argue that the most elaborate plots , the most out- landish caricatures ...
Садржај
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Ауторска права | |
други делови (44) нису приказани
Чести термини и фразе
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing