Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 страница In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Страница 82
... example , reveal irony quite as definite and overt as this . Lest these examples , however , seem to specialize irony in the direction of the sardonic , the reader ought to be reminded that irony , even in its obvious and conven ...
... example , reveal irony quite as definite and overt as this . Lest these examples , however , seem to specialize irony in the direction of the sardonic , the reader ought to be reminded that irony , even in its obvious and conven ...
Страница 94
... example — and you can hardly deny that they too are poetic . " But the best story poems may be analyzed , I believe , as metaphors without expressed tenors , as symbols which speak for themselves . " La Belle Dame Sans Merci , " for example ...
... example — and you can hardly deny that they too are poetic . " But the best story poems may be analyzed , I believe , as metaphors without expressed tenors , as symbols which speak for themselves . " La Belle Dame Sans Merci , " for example ...
Страница 494
... example of that courtly euphemisation of power outlined above ? One last example must serve to demonstrate that the " end- ing " of the play is in fact a struggle between the apotheosis and the aporia of colonialist discourse . The ...
... example of that courtly euphemisation of power outlined above ? One last example must serve to demonstrate that the " end- ing " of the play is in fact a struggle between the apotheosis and the aporia of colonialist discourse . The ...
Садржај
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Ауторска права | |
други делови (44) нису приказани
Чести термини и фразе
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing