Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 страница In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Страница 47
... moral costs of political obedience and the value of obeying an absolute moral standard . That is , The Winter's Tale seeks to resolve the problem of obe- dience by pursuing a radical perspective and fails to do so because its nascent ...
... moral costs of political obedience and the value of obeying an absolute moral standard . That is , The Winter's Tale seeks to resolve the problem of obe- dience by pursuing a radical perspective and fails to do so because its nascent ...
Страница 241
... moral vision . All moral criticism of literature is based on the as- sumption that literature affects us , that it changes our attitudes and our behavior ; in other words it as- sumes that literature can precipitate action , harmful or ...
... moral vision . All moral criticism of literature is based on the as- sumption that literature affects us , that it changes our attitudes and our behavior ; in other words it as- sumes that literature can precipitate action , harmful or ...
Страница 242
... moral critic can use is to de- termine whether an author cares for his or her char- acters , or whether , as we have seen in our analysis of the films , s / he is simply using them for other pur- poses ( pp . 84-85 ) . A great writer ...
... moral critic can use is to de- termine whether an author cares for his or her char- acters , or whether , as we have seen in our analysis of the films , s / he is simply using them for other pur- poses ( pp . 84-85 ) . A great writer ...
Садржај
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Ауторска права | |
други делови (44) нису приказани
Чести термини и фразе
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing