Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 страница In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Страница 74
... poetic meaning apart from poetic form . This is the fundamental principle of formal criticism , and it leads directly to the formalist's famous distrust of the " paraphrase " on the grounds that too many read- ers are inclined to ...
... poetic meaning apart from poetic form . This is the fundamental principle of formal criticism , and it leads directly to the formalist's famous distrust of the " paraphrase " on the grounds that too many read- ers are inclined to ...
Страница 81
... poetic " im- ages . If there really existed objects which were some- how intrinsically " poetic , " still the mere assemblage of these would not give us a poem . For in that case , one might arrange bouquets of these poetic images and ...
... poetic " im- ages . If there really existed objects which were some- how intrinsically " poetic , " still the mere assemblage of these would not give us a poem . For in that case , one might arrange bouquets of these poetic images and ...
Страница 207
... poetic language was in turn denied even by the formalist critics , who accepted his analytical techniques . These critics and others vigorously asserted the truth of poetry on empirical grounds and even against the claims of empirical ...
... poetic language was in turn denied even by the formalist critics , who accepted his analytical techniques . These critics and others vigorously asserted the truth of poetry on empirical grounds and even against the claims of empirical ...
Садржај
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Ауторска права | |
други делови (44) нису приказани
Чести термини и фразе
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing