Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 страница In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Страница 73
... produce the whole , and how our understanding of the whole conditions our understanding of the parts . Such an analysis illustrates the central formal axiom that the primary context for the under- standing of any part of the poem is the ...
... produce the whole , and how our understanding of the whole conditions our understanding of the parts . Such an analysis illustrates the central formal axiom that the primary context for the under- standing of any part of the poem is the ...
Страница 464
... produce major art not in spite of but because of the undeveloped state of their soci- ety . In ancient societies , which have not yet under- gone the fragmenting " division of labour " known to capitalism , the overwhelming of " quality ...
... produce major art not in spite of but because of the undeveloped state of their soci- ety . In ancient societies , which have not yet under- gone the fragmenting " division of labour " known to capitalism , the overwhelming of " quality ...
Страница 491
... produce and utilise an other in order to obtain the consent of Ariel to his continued subjugation . Caliban , on the other hand , is nakedly enslaved to the master . The narrative of I.ii legitimises this exer- cise of power by ...
... produce and utilise an other in order to obtain the consent of Ariel to his continued subjugation . Caliban , on the other hand , is nakedly enslaved to the master . The narrative of I.ii legitimises this exer- cise of power by ...
Садржај
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Ауторска права | |
други делови (44) нису приказани
Чести термини и фразе
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing