Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 страница In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Страница 22
... represent the word as langue , with all its rich meaning - possibilities . But under one of the sub- headings , in an illustrative sentence , those same let- ters represent the words as parole , as a particular , selective actualization ...
... represent the word as langue , with all its rich meaning - possibilities . But under one of the sub- headings , in an illustrative sentence , those same let- ters represent the words as parole , as a particular , selective actualization ...
Страница 23
... represent only the parole of a speaker or au- thor , which is another way of saying that meaning requires a meaner . However , it is not necessary that an author's text represent the parole he desired to convey . It is fre- quently the ...
... represent only the parole of a speaker or au- thor , which is another way of saying that meaning requires a meaner . However , it is not necessary that an author's text represent the parole he desired to convey . It is fre- quently the ...
Страница 128
... represent the language of the first " answer " as " strikingly supernatural " ; because he omits all mention of the race , the palms , the children on the shore of the immortal sea , and the faith that looks through death in stanzas 9 ...
... represent the language of the first " answer " as " strikingly supernatural " ; because he omits all mention of the race , the palms , the children on the shore of the immortal sea , and the faith that looks through death in stanzas 9 ...
Садржај
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Ауторска права | |
други делови (44) нису приказани
Чести термини и фразе
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing