Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 страница In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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Страница 379
... rhetorical nature , shares too the condition of being radically undecidable or indeterminate . Ironically , de Man , starting from this assumption , occasionally comes to re - distinguish and re - privilege specifically " poetic ...
... rhetorical nature , shares too the condition of being radically undecidable or indeterminate . Ironically , de Man , starting from this assumption , occasionally comes to re - distinguish and re - privilege specifically " poetic ...
Страница 399
... rhetorical structure , the so - called rhetorical question , in which the figure is conveyed directly by means of a syntac- tical device . I take the first example from the sub- literature of the mass media : asked by his wife whether ...
... rhetorical structure , the so - called rhetorical question , in which the figure is conveyed directly by means of a syntac- tical device . I take the first example from the sub- literature of the mass media : asked by his wife whether ...
Страница 404
... rhetorical mode and by reading the text as we did , we were only trying to come closer to being as rigorous a reader as the author had to be in order to write the sentence in the first place . Poetic writing is the most advanced and ...
... rhetorical mode and by reading the text as we did , we were only trying to come closer to being as rigorous a reader as the author had to be in order to write the sentence in the first place . Poetic writing is the most advanced and ...
Садржај
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Ауторска права | |
други делови (44) нису приказани
Чести термини и фразе
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing