Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 страница In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Из књиге
Резултати 1-3 од 87
Страница 21
... simply partial , but wrong . For if the poem gives equal stress to bitter irony and to affirmation , then any construction which places a primary stress on either meaning is simply incorrect . The general principle implied by my ...
... simply partial , but wrong . For if the poem gives equal stress to bitter irony and to affirmation , then any construction which places a primary stress on either meaning is simply incorrect . The general principle implied by my ...
Страница 210
... simply deny the referential function of art . The development of this line of criticism is the subject of the next chapter . Here we shall simply note some implications of this objection . The mimetic perspective seems to bring ...
... simply deny the referential function of art . The development of this line of criticism is the subject of the next chapter . Here we shall simply note some implications of this objection . The mimetic perspective seems to bring ...
Страница 280
... simply elaborations of this more fundamental concept . And a concern with the conventional aspects of art is indeed the characteristic feature of the criticism we are here describing . All art , in this view , is conventional , and any ...
... simply elaborations of this more fundamental concept . And a concern with the conventional aspects of art is indeed the characteristic feature of the criticism we are here describing . All art , in this view , is conventional , and any ...
Садржај
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Ауторска права | |
други делови (44) нису приказани
Чести термини и фразе
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing