Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 страница In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
Из књиге
Резултати 1-3 од 83
Страница 27
... speak about texts would be highly salutary . It is nat- ural to speak not of what a text says , but of what an author means , and this more natural locution is the more accurate one . Furthermore , to speak in this way implies a ...
... speak about texts would be highly salutary . It is nat- ural to speak not of what a text says , but of what an author means , and this more natural locution is the more accurate one . Furthermore , to speak in this way implies a ...
Страница 43
... speak persuasively for the literary texts which are thus constructed as unable to speak au- thoritatively for themselves . As Roger Seamon has suggested , modern criticism tends to assume that the text itself is " dumb , " and that the ...
... speak persuasively for the literary texts which are thus constructed as unable to speak au- thoritatively for themselves . As Roger Seamon has suggested , modern criticism tends to assume that the text itself is " dumb , " and that the ...
Страница 98
... speak of technique and subject matter . Modern criticism has shown us that to speak of content as such is not to speak of art at all , but of experience ; and that it is only when we speak of the achieved content , the form , the work ...
... speak of technique and subject matter . Modern criticism has shown us that to speak of content as such is not to speak of art at all , but of experience ; and that it is only when we speak of the achieved content , the form , the work ...
Садржај
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
Ауторска права | |
други делови (44) нису приказани
Чести термини и фразе
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing