Anarchist Modernism: Art, Politics, and the First American Avant-GardeUniversity of Chicago Press, 15. 4. 2001. - 289 страница The relationship of the anarchist movement to American art during the World War I era is most often described as a "tenuous affinity" between two distinct spheres: political and artistic. In Anarchist Modernism, Allan Antliff reveals that anarchism was the formative force that lent coherence and direction to modernism in the United States between 1908 and 1920. Modernists participated in a wide-ranging movement that encompassed lifestyles, language, literature, and art, as well as politics. Antliff examines anarchism's influence on a telling cross-section of modern artists such as Robert Henri, Elie Nadelman, Man Ray, Adolf Wolff, and Rockwell Kent. He also traces the hitherto overlooked interactions among anarchist thinkers, critics, and cultural figures of the period including Emma Goldman, Alfred Stieglitz, John Weichsel, Walter Pach, Ezra Pound, and Ananda Coomaraswamy. In doing so, Antliff draws on a wealth of previously unknown materials, such as interviews and reproductions of lost works. During the early twentieth century, anarchism generated a distinctive oppositional modernism and a cultural legacy that was largely forgotten once communism became established as the primary leftist discourse in American political life. By situating American art's evolution in the politics of the time, Antliff offers a richly illustrated history of the anarchist movement and also revives the creative agency of those who shaped and implemented modernism for radical ends. |
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... communism became established as the primary leftist discourse in American political life . By situating American art's evo- lution in the politics of the time , Antliff offers a richly illustrated history of the anarchist movement and ...
... communism became established as the primary leftist discourse in American political life . By situating American art's evo- lution in the politics of the time , Antliff offers a richly illustrated history of the anarchist movement and ...
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... communism , anarchist syndicalism , anarchist individu- alism , parliamentary socialism , and Bolshevism . I will close my introductory remarks with a short outline of some of the individuals , publications , and organ- izations ...
... communism , anarchist syndicalism , anarchist individu- alism , parliamentary socialism , and Bolshevism . I will close my introductory remarks with a short outline of some of the individuals , publications , and organ- izations ...
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... communism . Anarchist communism's foremost advocates in America were Emma Goldman , her lifelong companion , Alexander Berkman , the Mexican anarchist Ricardo Flores Magon , and the Italian militant , Luigi Galleani , who lived in the ...
... communism . Anarchist communism's foremost advocates in America were Emma Goldman , her lifelong companion , Alexander Berkman , the Mexican anarchist Ricardo Flores Magon , and the Italian militant , Luigi Galleani , who lived in the ...
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... communism of Karl Marx . 22 Marx called for the revolu- tionary seizure of state power by the proletariat in order to abolish private prop- erty forcibly and replace it with communism . He placed his faith in the organ- ized discipline ...
... communism of Karl Marx . 22 Marx called for the revolu- tionary seizure of state power by the proletariat in order to abolish private prop- erty forcibly and replace it with communism . He placed his faith in the organ- ized discipline ...
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... communism.32 The Syndicalist League of North America ( SLNA ) was established by William Z. Foster in 1912 and enjoyed a membership of approximately 2,000 , including some of the anarchists I will be discussing.33 The league differed ...
... communism.32 The Syndicalist League of North America ( SLNA ) was established by William Z. Foster in 1912 and enjoyed a membership of approximately 2,000 , including some of the anarchists I will be discussing.33 The league differed ...
Садржај
Modernists against the Academy 190812 | 11 |
The Armory Show Debate | 37 |
Cosmism or Amorphism | 51 |
Man Rays Path to Dada | 71 |
Hippolyte Havel and the Artists of Revolt | 93 |
A New Internationalism | 121 |
Nietzschean Matrix | 143 |
Anarchist Unanimism | 165 |
The Denouement of Anarchist Modernism | 181 |
Conclusion | 213 |
Notes | 215 |
Bibliography | 263 |
Index | 279 |
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Anarchist Modernism: Art, Politics, and the First American Avant-Garde Allan Antliff Ограничен приказ - 2001 |
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Abbott Academy Adolf Wolff aesthetic Albert Gleizes American Art Ananda Coomaraswamy anar anarchism Antliff April argued Armory Show art critic artists Avrich Berkman Blast Bolshevik Boyesen Carl Zigrosser Papers chist collective cosmism cubist cultural Dance of Siva drawing Duchamp Eastman editor Egoist Elie Nadelman Emma Goldman essay exhibition catalog expression February Ferrer Center Figure Free Comrade freedom Futurists Gallery Gleizes Hapgood Havel Hulme Ibid ideas individual issue January John Weichsel journal June Kent's Kreymborg Kropotkin Liberator London magazine March Max Weber microfilm roll Modern Art Modern School modernist Mother Earth movement Mowbray-Clarke Museum Nadelman National Nietzsche October Pach's painter painting Paris Party Peinard political published radical revolution Revolutionary Almanac Ridgefield Robert Henri Robert Minor Rockwell Kent Russian sculptures social Socialist society Soviet spirit Stirner T. E. Hulme Tridon unanimist University Press vorticist Walter Pach William workers World wrote York Call York Globe Zigrosser's