Contexts for CriticismMayfield Publishing Company, 1987 - 365 страница "Contexts for Criticism "introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's "Benito Cereno," and Charlotte Perkins Gilmans "The Yellow Wallpaper," . . These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. . |
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... becomes one of the most poignant lines in Lear , but it becomes so because of the supporting context . Even the " meaning " of any particular item is modified by the context . For what is said is said in a partic- ular situation and by ...
... becomes one of the most poignant lines in Lear , but it becomes so because of the supporting context . Even the " meaning " of any particular item is modified by the context . For what is said is said in a partic- ular situation and by ...
Страница 123
Donald Keesey. behind the veil of flesh becomes more shadowy as Marlow becomes better acquainted with the outer man . The savagery which surrounds Kurtz has appealed to some primitive , evil in- stinct in his nature , and the " deep ...
Donald Keesey. behind the veil of flesh becomes more shadowy as Marlow becomes better acquainted with the outer man . The savagery which surrounds Kurtz has appealed to some primitive , evil in- stinct in his nature , and the " deep ...
Страница 342
... becomes at once the rep- resentation of an extra - textual meaning ; in Aus- tin's terms , the illocutionary speech act becomes a perlocutionary actual act - in Frege's terms , Bedeutung becomes Sinn . Our recurrent question is whether ...
... becomes at once the rep- resentation of an extra - textual meaning ; in Aus- tin's terms , the illocutionary speech act becomes a perlocutionary actual act - in Frege's terms , Bedeutung becomes Sinn . Our recurrent question is whether ...
Садржај
A Constructive Prologue | 1 |
Chapter | 9 |
A S P Woodhouse The Historical Criticism of Milton | 18 |
Ауторска права | |
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Чести термини и фразе
action aesthetic answer archetypal argues argument artistic character claim Claudius Cleanth Brooks coherence complex concept Conrad context conventions course death deconstructive emotion essay example experience fact feel fiction formal criticism formalist genetic criticism Ghost Hamlet Heart of Darkness Hirsch Historical Criticism human I. A. Richards ical identity ideology interpretation interpretive community intertextual intertextual critics Joseph Conrad kind Kurtz language linguistic literary criticism literature Lycidas Marlow ment metaphor metonymy Milton mimetic mind moral myth narrative nature norms Northrop Frye novel object particular pastoral pattern perspective play poem poem's poet poetic poetry Polonius problem psychological question reader reader-response critics reading reality reference response rhetorical scene seems sense Shakespeare simply social speak story structuralist structure suggests symbolic terpretation textual meaning theme theory thing thought tion tive truth ture understand verbal meaning W. K. Wimsatt words