Contexts for CriticismMayfield Publishing Company, 1987 - 365 страница "Contexts for Criticism "introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's "Benito Cereno," and Charlotte Perkins Gilmans "The Yellow Wallpaper," . . These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. . |
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Страница 34
... context invoked is the most probable context . Only then , in relation to an established context , can we judge that one reading is more coherent than another . Ulti- mately , therefore , we have to posit the most probable horizon for ...
... context invoked is the most probable context . Only then , in relation to an established context , can we judge that one reading is more coherent than another . Ulti- mately , therefore , we have to posit the most probable horizon for ...
Страница 83
... context . The memorable verses in poetry - even those which seem somehow in- trinsically " poetic " -show on inspection that they derive their poetic quality from their rela- tion to a particular context . We may , it is true , be ...
... context . The memorable verses in poetry - even those which seem somehow in- trinsically " poetic " -show on inspection that they derive their poetic quality from their rela- tion to a particular context . We may , it is true , be ...
Страница 84
... context and has its meaning modified by the context . In other words , the statements made - including those which appear to be philosophical generaliza- tions are to be read as if they were speeches in a drama . Their relevance , their ...
... context and has its meaning modified by the context . In other words , the statements made - including those which appear to be philosophical generaliza- tions are to be read as if they were speeches in a drama . Their relevance , their ...
Садржај
A Constructive Prologue | 1 |
Chapter | 9 |
A S P Woodhouse The Historical Criticism of Milton | 18 |
Ауторска права | |
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Чести термини и фразе
action aesthetic answer archetypal argues argument artistic character claim Claudius Cleanth Brooks coherence complex concept Conrad context conventions course death deconstructive emotion essay example experience fact feel fiction formal criticism formalist genetic criticism Ghost Hamlet Heart of Darkness Hirsch Historical Criticism human I. A. Richards ical identity ideology interpretation interpretive community intertextual intertextual critics Joseph Conrad kind Kurtz language linguistic literary criticism literature Lycidas Marlow ment metaphor metonymy Milton mimetic mind moral myth narrative nature norms Northrop Frye novel object particular pastoral pattern perspective play poem poem's poet poetic poetry Polonius problem psychological question reader reader-response critics reading reality reference response rhetorical scene seems sense Shakespeare simply social speak story structuralist structure suggests symbolic terpretation textual meaning theme theory thing thought tion tive truth ture understand verbal meaning W. K. Wimsatt words