Contexts for CriticismMayfield Publishing Company, 1987 - 365 страница "Contexts for Criticism "introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's "Benito Cereno," and Charlotte Perkins Gilmans "The Yellow Wallpaper," . . These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. . |
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Страница 142
... interpretation of the text . When the author wrote the text , he " meant " something by it ; that must be the sole acceptable meaning . " For if the meaning of a text is not the author's then no interpretation can possibly correspond to ...
... interpretation of the text . When the author wrote the text , he " meant " something by it ; that must be the sole acceptable meaning . " For if the meaning of a text is not the author's then no interpretation can possibly correspond to ...
Страница 347
... interpretation , Fish argues that we always read as members of an interpretive community who share an accepted interpretive strategy . Thus , Fish offers to explain both why our interpretations can agree , and why they often do not ...
... interpretation , Fish argues that we always read as members of an interpretive community who share an accepted interpretive strategy . Thus , Fish offers to explain both why our interpretations can agree , and why they often do not ...
Страница 348
... interpretation more perfectly accords with the facts , but where ev- eryone's purpose is to persuade the rest of us ... interpretation . Ten years later , however , that same word is being cited in support of a quite different ...
... interpretation more perfectly accords with the facts , but where ev- eryone's purpose is to persuade the rest of us ... interpretation . Ten years later , however , that same word is being cited in support of a quite different ...
Садржај
A Constructive Prologue | 1 |
Chapter | 9 |
A S P Woodhouse The Historical Criticism of Milton | 18 |
Ауторска права | |
други делови (22) нису приказани
Чести термини и фразе
action aesthetic answer archetypal argues argument artistic character claim Claudius Cleanth Brooks coherence complex concept Conrad context conventions course death deconstructive emotion essay example experience fact feel fiction formal criticism formalist genetic criticism Ghost Hamlet Heart of Darkness Hirsch Historical Criticism human I. A. Richards ical identity ideology interpretation interpretive community intertextual intertextual critics Joseph Conrad kind Kurtz language linguistic literary criticism literature Lycidas Marlow ment metaphor metonymy Milton mimetic mind moral myth narrative nature norms Northrop Frye novel object particular pastoral pattern perspective play poem poem's poet poetic poetry Polonius problem psychological question reader reader-response critics reading reality reference response rhetorical scene seems sense Shakespeare simply social speak story structuralist structure suggests symbolic terpretation textual meaning theme theory thing thought tion tive truth ture understand verbal meaning W. K. Wimsatt words