Contexts for CriticismMayfield Publishing Company, 1987 - 365 страница "Contexts for Criticism "introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's "Benito Cereno," and Charlotte Perkins Gilmans "The Yellow Wallpaper," . . These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. . |
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Страница 78
... offers us a world of actions with emotional and moral sig- nificance . For the poem , through the magic of the concrete symbol , mediates between the ab- stract world of the philosophic and moral pre- cept and the solid but chaotic ...
... offers us a world of actions with emotional and moral sig- nificance . For the poem , through the magic of the concrete symbol , mediates between the ab- stract world of the philosophic and moral pre- cept and the solid but chaotic ...
Страница 260
... offers an apparently plausible explanation of why some of us re- spond intensely to certain works , it offers no ex- planation at all of why many of us do not . In- tertextual critics , by contrast , though not necessarily denying that ...
... offers an apparently plausible explanation of why some of us re- spond intensely to certain works , it offers no ex- planation at all of why many of us do not . In- tertextual critics , by contrast , though not necessarily denying that ...
Страница 347
... offers an over- view of the larger issues . In some respects , Fish runs counter to deconstruction . Where critics like Paul de Man point to the inherent indeterminacy of language , Fish points to the inherent determinacy of ...
... offers an over- view of the larger issues . In some respects , Fish runs counter to deconstruction . Where critics like Paul de Man point to the inherent indeterminacy of language , Fish points to the inherent determinacy of ...
Садржај
A Constructive Prologue | 1 |
Chapter | 9 |
A S P Woodhouse The Historical Criticism of Milton | 18 |
Ауторска права | |
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Чести термини и фразе
action aesthetic answer archetypal argues argument artistic character claim Claudius Cleanth Brooks coherence complex concept Conrad context conventions course death deconstructive emotion essay example experience fact feel fiction formal criticism formalist genetic criticism Ghost Hamlet Heart of Darkness Hirsch Historical Criticism human I. A. Richards ical identity ideology interpretation interpretive community intertextual intertextual critics Joseph Conrad kind Kurtz language linguistic literary criticism literature Lycidas Marlow ment metaphor metonymy Milton mimetic mind moral myth narrative nature norms Northrop Frye novel object particular pastoral pattern perspective play poem poem's poet poetic poetry Polonius problem psychological question reader reader-response critics reading reality reference response rhetorical scene seems sense Shakespeare simply social speak story structuralist structure suggests symbolic terpretation textual meaning theme theory thing thought tion tive truth ture understand verbal meaning W. K. Wimsatt words