Contexts for CriticismMayfield Publishing Company, 1987 - 365 страница "Contexts for Criticism "introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's "Benito Cereno," and Charlotte Perkins Gilmans "The Yellow Wallpaper," . . These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. . |
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Страница 223
... principle is some- times seen as threatening , as castrating and de- stroying the masculine principle ; at other times , it is seen as a source of energy and force . What remains still , stable amid this fluctuation , is the masculine ...
... principle is some- times seen as threatening , as castrating and de- stroying the masculine principle ; at other times , it is seen as a source of energy and force . What remains still , stable amid this fluctuation , is the masculine ...
Страница 225
... principles opens only one way . Females may incorporate some of the capac- ities of the masculine principle if they do so in disguise and continue to accept the constrictions of femaleness . Thus Rosalind and Viola are able to move ...
... principles opens only one way . Females may incorporate some of the capac- ities of the masculine principle if they do so in disguise and continue to accept the constrictions of femaleness . Thus Rosalind and Viola are able to move ...
Страница 359
... principle : control of , by male principle , 222-223 ; and emotive response to experience , 228-229 , 234 ; exclusion of , from full humanity , 223-225 , 226 ; and fallen chastity , 228-235 passim ; identification of , with nature , 221 ...
... principle : control of , by male principle , 222-223 ; and emotive response to experience , 228-229 , 234 ; exclusion of , from full humanity , 223-225 , 226 ; and fallen chastity , 228-235 passim ; identification of , with nature , 221 ...
Садржај
A Constructive Prologue | 1 |
Chapter | 9 |
A S P Woodhouse The Historical Criticism of Milton | 18 |
Ауторска права | |
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Чести термини и фразе
action aesthetic answer archetypal argues argument artistic character claim Claudius Cleanth Brooks coherence complex concept Conrad context conventions course death deconstructive emotion essay example experience fact feel fiction formal criticism formalist genetic criticism Ghost Hamlet Heart of Darkness Hirsch Historical Criticism human I. A. Richards ical identity ideology interpretation interpretive community intertextual intertextual critics Joseph Conrad kind Kurtz language linguistic literary criticism literature Lycidas Marlow ment metaphor metonymy Milton mimetic mind moral myth narrative nature norms Northrop Frye novel object particular pastoral pattern perspective play poem poem's poet poetic poetry Polonius problem psychological question reader reader-response critics reading reality reference response rhetorical scene seems sense Shakespeare simply social speak story structuralist structure suggests symbolic terpretation textual meaning theme theory thing thought tion tive truth ture understand verbal meaning W. K. Wimsatt words