Contexts for CriticismMayfield Publishing Company, 1987 - 365 страница "Contexts for Criticism "introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's "Benito Cereno," and Charlotte Perkins Gilmans "The Yellow Wallpaper," . . These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. . |
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Страница 31
... represent the word as langue , with all its rich meaning - possibilities . But under one of the sub - headings , in an illustrative sentence , those same letters represent the words as parole , as a particular , selective actualization ...
... represent the word as langue , with all its rich meaning - possibilities . But under one of the sub - headings , in an illustrative sentence , those same letters represent the words as parole , as a particular , selective actualization ...
Страница 32
... represent only the parole of a speaker or author , which is an- other way of saying that meaning requires a meaner . However , it is not necessary that an author's text represent the parole he desired to convey . It is frequently the ...
... represent only the parole of a speaker or author , which is an- other way of saying that meaning requires a meaner . However , it is not necessary that an author's text represent the parole he desired to convey . It is frequently the ...
Страница 101
... represent more than one complex of meaning . A word sequence means nothing in particular until somebody ei- ther means something by it or understands something from it ( p . 4 ) . A determinate verbal meaning requires a deter- mining ...
... represent more than one complex of meaning . A word sequence means nothing in particular until somebody ei- ther means something by it or understands something from it ( p . 4 ) . A determinate verbal meaning requires a deter- mining ...
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A Constructive Prologue | 1 |
Chapter | 9 |
A S P Woodhouse The Historical Criticism of Milton | 18 |
Ауторска права | |
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Чести термини и фразе
action aesthetic answer archetypal argues argument artistic character claim Claudius Cleanth Brooks coherence complex concept Conrad context conventions course death deconstructive emotion essay example experience fact feel fiction formal criticism formalist genetic criticism Ghost Hamlet Heart of Darkness Hirsch Historical Criticism human I. A. Richards ical identity ideology interpretation interpretive community intertextual intertextual critics Joseph Conrad kind Kurtz language linguistic literary criticism literature Lycidas Marlow ment metaphor metonymy Milton mimetic mind moral myth narrative nature norms Northrop Frye novel object particular pastoral pattern perspective play poem poem's poet poetic poetry Polonius problem psychological question reader reader-response critics reading reality reference response rhetorical scene seems sense Shakespeare simply social speak story structuralist structure suggests symbolic terpretation textual meaning theme theory thing thought tion tive truth ture understand verbal meaning W. K. Wimsatt words