Contexts for CriticismMayfield Publishing Company, 1987 - 365 страница "Contexts for Criticism "introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's "Benito Cereno," and Charlotte Perkins Gilmans "The Yellow Wallpaper," . . These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. . |
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Страница 36
... speaking subject is not , however , iden- tical with the subjectivity of the author as an actual historical person ; it corresponds , rather , to a very limited and special aspect of the au- thor's total subjectivity ; it is , so to speak ...
... speaking subject is not , however , iden- tical with the subjectivity of the author as an actual historical person ; it corresponds , rather , to a very limited and special aspect of the au- thor's total subjectivity ; it is , so to speak ...
Страница 37
... speak about texts would be highly salutary . It is natural to speak not of what a text says , but of what an author means , and this more natural locution is the more accurate one . Furthermore , to speak in this way implies a readiness ...
... speak about texts would be highly salutary . It is natural to speak not of what a text says , but of what an author means , and this more natural locution is the more accurate one . Furthermore , to speak in this way implies a readiness ...
Страница 48
... speak first , in which case . one should be even more cautious . The informed Christian would speak before being spoken to , conjuring the spirit in the name of God to reveal its nature : if good , by speaking ; if bad , by leav- ing ...
... speak first , in which case . one should be even more cautious . The informed Christian would speak before being spoken to , conjuring the spirit in the name of God to reveal its nature : if good , by speaking ; if bad , by leav- ing ...
Садржај
A Constructive Prologue | 1 |
Chapter | 9 |
A S P Woodhouse The Historical Criticism of Milton | 18 |
Ауторска права | |
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Чести термини и фразе
action aesthetic answer archetypal argues argument artistic character claim Claudius Cleanth Brooks coherence complex concept Conrad context conventions course death deconstructive emotion essay example experience fact feel fiction formal criticism formalist genetic criticism Ghost Hamlet Heart of Darkness Hirsch Historical Criticism human I. A. Richards ical identity ideology interpretation interpretive community intertextual intertextual critics Joseph Conrad kind Kurtz language linguistic literary criticism literature Lycidas Marlow ment metaphor metonymy Milton mimetic mind moral myth narrative nature norms Northrop Frye novel object particular pastoral pattern perspective play poem poem's poet poetic poetry Polonius problem psychological question reader reader-response critics reading reality reference response rhetorical scene seems sense Shakespeare simply social speak story structuralist structure suggests symbolic terpretation textual meaning theme theory thing thought tion tive truth ture understand verbal meaning W. K. Wimsatt words