Contexts for CriticismMayfield Publishing Company, 1987 - 365 страница "Contexts for Criticism "introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's "Benito Cereno," and Charlotte Perkins Gilmans "The Yellow Wallpaper," . . These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. . |
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Страница 246
... story its gargantuan psycholog- ical force is the fact that it operates precisely on the front where issues previously lodged in the unconscious are moving into consciousness , where the implicit is becoming explicit , both in ...
... story its gargantuan psycholog- ical force is the fact that it operates precisely on the front where issues previously lodged in the unconscious are moving into consciousness , where the implicit is becoming explicit , both in ...
Страница 248
... story , veiled . By what ? Almost everything , in the story and outside . III Throughout his story Marlow worries about lies , lies in general and lies in particular . About a third of the way into the story he talks about an earlier ...
... story , veiled . By what ? Almost everything , in the story and outside . III Throughout his story Marlow worries about lies , lies in general and lies in particular . About a third of the way into the story he talks about an earlier ...
Страница 254
... story only on the part of those who scorn the unconscious or fear it . For in this story , as has been seen , Africa is the unconscious ( as it need not be , of course , in other stories ) , Europe is the conscious . The story is a put ...
... story only on the part of those who scorn the unconscious or fear it . For in this story , as has been seen , Africa is the unconscious ( as it need not be , of course , in other stories ) , Europe is the conscious . The story is a put ...
Садржај
A Constructive Prologue | 1 |
Chapter | 9 |
A S P Woodhouse The Historical Criticism of Milton | 18 |
Ауторска права | |
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Чести термини и фразе
action aesthetic answer archetypal argues argument artistic character claim Claudius Cleanth Brooks coherence complex concept Conrad context conventions course death deconstructive emotion essay example experience fact feel fiction formal criticism formalist genetic criticism Ghost Hamlet Heart of Darkness Hirsch Historical Criticism human I. A. Richards ical identity ideology interpretation interpretive community intertextual intertextual critics Joseph Conrad kind Kurtz language linguistic literary criticism literature Lycidas Marlow ment metaphor metonymy Milton mimetic mind moral myth narrative nature norms Northrop Frye novel object particular pastoral pattern perspective play poem poem's poet poetic poetry Polonius problem psychological question reader reader-response critics reading reality reference response rhetorical scene seems sense Shakespeare simply social speak story structuralist structure suggests symbolic terpretation textual meaning theme theory thing thought tion tive truth ture understand verbal meaning W. K. Wimsatt words