Contexts for CriticismMayfield Publishing Company, 1987 - 365 страница "Contexts for Criticism "introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's "Benito Cereno," and Charlotte Perkins Gilmans "The Yellow Wallpaper," . . These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. . |
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Страница 310
... symbolic perception . Conrad intends for his reader to construct patterns of meaning for Heart of Darkness which draw the multiple dimensions of its presentation into a symbolic whole and render it , for each individual listener ...
... symbolic perception . Conrad intends for his reader to construct patterns of meaning for Heart of Darkness which draw the multiple dimensions of its presentation into a symbolic whole and render it , for each individual listener ...
Страница 311
... symbolic character . . . . The symbolic concep- tion of a work of art has this advantage , that it makes a triple appeal covering the whole field of life . All the great creations of literature have been symbolic , and in that way have ...
... symbolic character . . . . The symbolic concep- tion of a work of art has this advantage , that it makes a triple appeal covering the whole field of life . All the great creations of literature have been symbolic , and in that way have ...
Страница 332
... symbolic thought - which it is the task of ethnologists and linguists to study ) . This distribution of a supple- mentary allowance [ ration supplémentaire ] -if it is permissible to put it that way — is absolutely nec- essary in order ...
... symbolic thought - which it is the task of ethnologists and linguists to study ) . This distribution of a supple- mentary allowance [ ration supplémentaire ] -if it is permissible to put it that way — is absolutely nec- essary in order ...
Садржај
A Constructive Prologue | 1 |
Chapter | 9 |
A S P Woodhouse The Historical Criticism of Milton | 18 |
Ауторска права | |
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Чести термини и фразе
action aesthetic answer archetypal argues argument artistic character claim Claudius Cleanth Brooks coherence complex concept Conrad context conventions course death deconstructive emotion essay example experience fact feel fiction formal criticism formalist genetic criticism Ghost Hamlet Heart of Darkness Hirsch Historical Criticism human I. A. Richards ical identity ideology interpretation interpretive community intertextual intertextual critics Joseph Conrad kind Kurtz language linguistic literary criticism literature Lycidas Marlow ment metaphor metonymy Milton mimetic mind moral myth narrative nature norms Northrop Frye novel object particular pastoral pattern perspective play poem poem's poet poetic poetry Polonius problem psychological question reader reader-response critics reading reality reference response rhetorical scene seems sense Shakespeare simply social speak story structuralist structure suggests symbolic terpretation textual meaning theme theory thing thought tion tive truth ture understand verbal meaning W. K. Wimsatt words