Contexts for CriticismMayfield Publishing Company, 1987 - 365 страница "Contexts for Criticism "introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's "Benito Cereno," and Charlotte Perkins Gilmans "The Yellow Wallpaper," . . These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. . |
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Страница 17
... tell us what a work may mean , but only their own can tell us what it does mean . Without the knowledge of an author's character and culture that genetic studies supply , there can be no useful check on the often " impres- sionistic ...
... tell us what a work may mean , but only their own can tell us what it does mean . Without the knowledge of an author's character and culture that genetic studies supply , there can be no useful check on the often " impres- sionistic ...
Страница 75
... tell us the various ways he used the word on other occa- sions . But none of these , says the formalist , will tell us exactly what the word means in the lines in question . Only a full understanding of their immediate context - that is ...
... tell us the various ways he used the word on other occa- sions . But none of these , says the formalist , will tell us exactly what the word means in the lines in question . Only a full understanding of their immediate context - that is ...
Страница 127
... tell this woman the truth about Kurtz . His last words , says Mar- low , were the young woman's name . To tell her what he actually said " would have been too dark - too dark altogether " ( p . 162 ) , would have opened the bleakness of ...
... tell this woman the truth about Kurtz . His last words , says Mar- low , were the young woman's name . To tell her what he actually said " would have been too dark - too dark altogether " ( p . 162 ) , would have opened the bleakness of ...
Садржај
A Constructive Prologue | 1 |
Chapter | 9 |
A S P Woodhouse The Historical Criticism of Milton | 18 |
Ауторска права | |
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Чести термини и фразе
action aesthetic answer archetypal argues argument artistic character claim Claudius Cleanth Brooks coherence complex concept Conrad context conventions course death deconstructive emotion essay example experience fact feel fiction formal criticism formalist genetic criticism Ghost Hamlet Heart of Darkness Hirsch Historical Criticism human I. A. Richards ical identity ideology interpretation interpretive community intertextual intertextual critics Joseph Conrad kind Kurtz language linguistic literary criticism literature Lycidas Marlow ment metaphor metonymy Milton mimetic mind moral myth narrative nature norms Northrop Frye novel object particular pastoral pattern perspective play poem poem's poet poetic poetry Polonius problem psychological question reader reader-response critics reading reality reference response rhetorical scene seems sense Shakespeare simply social speak story structuralist structure suggests symbolic terpretation textual meaning theme theory thing thought tion tive truth ture understand verbal meaning W. K. Wimsatt words