Through the Vanishing Point: Space in Poetry and Painting

action antienvironments appears artist attention audience awareness Baroque beauty become beginning called century character comes condition connected continuous contrast corporate created culture develop direct effect electric Eliot encounter environment existence experience fact feel figures force fragmentation give Greek hand human iconic idea implies individual involvement kind land light live look mark means Medieval ment modes moves movie nature never night object once Oriental origin painting Paradoxically participation pattern perception Perhaps Persian person perspective pictorial plane play poem poetry poets point of view Pop Art possible presented probe rational reader Romantic seems sense sensory serve sight single situation social society sound stand story line stress tactile tends things thou thought touch vision visual space Western Yeats