Turbo-folk Music and Cultural Representations of National Identity in Former YugoslaviaAshgate Publishing, Ltd., 28. 7. 2014. - 206 страница Turbo-folk music is the most controversial form of popular culture in the new states of former Yugoslavia. Beginning with 1970s Socialist Yugoslavia, Uroš Čvoro explores the cultural and political paradoxes of turbo-folk. Taking as its starting point turbo-folk’s popularity across national borders, Čvoro analyses key songs and performers in Serbia, Slovenia and Croatia. What is proposed is a new way of reading the relationship of contemporary popular music to processes of cultural, political and social change - and a new understanding of how fundamental turbo-folk is to the recent history of former Yugoslavia and its successor states. |
Садржај
TurBofoLkanD | 27 |
Turbofolk as the vanishing | 55 |
Turbofolk across Cultural | 81 |
Music and National Identity in the Work | 105 |
Popular Culture and Public | 129 |
Turbofolk and Selfexoticisation | 155 |
Conclusion | 179 |
185 | |
195 | |
Друга издања - Прикажи све
Turbo-folk Music and Cultural Representations of National Identity in Former ... Uroš ?voro Ограничен приказ - 2016 |
Turbo-folk Music and Cultural Representations of National Identity in Former ... Uroš Čvoro Ограничен приказ - 2016 |
Чести термини и фразе
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