The Poetical Works of Oliver Goldsmith, M. B: With an Account of His Life and Writings (Classic Reprint)

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Excerpt from The Poetical Works of Oliver Goldsmith, M. B: With an Account of His Life and Writings

Arts till two years after the regular time, (viz. Feb. 97, 1749, O. S.) Relinquishing now his (or rather his fa ther's) intentions respecting the church, he turned his thoughts to the profession of physio, and, after attend ing some courses of anatomy in Dublin, he went to Edinburgh in 1751, and studied the several branches of medicine under the different professors in that uni versity. During his continuance at the Scotch metro polis, he soon became conspicuous by his want of eco homy. He engaged to pay a sum for a fellow-student, when, probably, he could not pay his own debts; and was, in consequence of such rash promise, obliged to leave Scotland with precipitation. Thus terminated his studies with respect to the medical profession.

Notwithstanding his hasty flight, he did not escape the vigilance of his pursuers at Sunderland, near Newcastle, he was arrested about the beginning of 1754, at the suit of one Barclay, a taylor in Edinburgh, to whom he had incautiously given security for his friend. At length, by the favour of Laughlin Mac lane, Esq. And Dr. Sleigh, then his fellow-students at college, he was soon released from the clutches of the bailiff. Hereupon he took his passage on board a. Dutizh ship, to Rotterdam.

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О аутору (2018)

As Samuel Johnson said in his famous epitaph on his Irish-born and educated friend, Goldsmith ornamented whatever he touched with his pen. A professional writer who died in his prime, Goldsmith wrote the best comedy of his day, She Stoops to Conquer (1773). Amongst a plethora of other fine works, he also wrote The Vicar of Wakefield (1766), which, despite major plot inconsistencies and the intrusion of poems, essays, tales, and lectures apparently foreign to its central concerns, remains one of the most engaging fictional works in English. One reason for its appeal is the character of the narrator, Dr. Primrose, who is at once a slightly absurd pedant, an impatient traditional father of teenagers, a Job-like figure heroically facing life's blows, and an alertly curious, helpful, loving person. Another reason is Goldsmith's own mixture of delight and amused condescension (analogous to, though not identical with, Laurence Sterne's in Tristram Shandy and Johnson's in Rasselas, both contemporaneous) as he looks at the vicar and his domestic group, fit representatives of a ludicrous but workable world. Never married and always facing financial problems, he died in London and was buried in Temple Churchyard.

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