The Literary Works of Sir Joshua Reynolds ...: Containing His Discourses, Papers in the Idler, the Journal of a Tour Through Flanders and Holland, and Also His Commentary on Du Fresnoy's Art of Painting, Том 1T. Cadell and W. Davies, 1819 |
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... ROYAL ACADEMY ; CONTAINING HIS DISCOURSES , PAPERS IN THE IDLER , THE JOURNAL OF A TOUR THROUGH FLANDERS AND HOLLAND , AND ALSO HIS COMMENTARY ON DU FRESNOY'S ART OF PAINTING . PRINTED FROM THE AUTHOR'S REVISED COPIES , With his last ...
... ROYAL ACADEMY ; CONTAINING HIS DISCOURSES , PAPERS IN THE IDLER , THE JOURNAL OF A TOUR THROUGH FLANDERS AND HOLLAND , AND ALSO HIS COMMENTARY ON DU FRESNOY'S ART OF PAINTING . PRINTED FROM THE AUTHOR'S REVISED COPIES , With his last ...
Страница xxxvii
... Academy which gave rise to the following DISCOURSES , forming a memorable epoch in the history of the Arts , may ... Royal Academy , to be built at the upper end of the Mews , with apartments for the Professors , & c . See Walpole's ...
... Academy which gave rise to the following DISCOURSES , forming a memorable epoch in the history of the Arts , may ... Royal Academy , to be built at the upper end of the Mews , with apartments for the Professors , & c . See Walpole's ...
Страница xxxix
... ROYAL ACADEMY of Painting , Sculpture , and Architecture , com- * An Academy had been constituted under the royal patronage in 1767 ; but the plan was more confined , and the Institution was supported by an Annual Subscription . The new ...
... ROYAL ACADEMY of Painting , Sculpture , and Architecture , com- * An Academy had been constituted under the royal patronage in 1767 ; but the plan was more confined , and the Institution was supported by an Annual Subscription . The new ...
Страница xli
... Royal Academy to Somerset - place . Previous to the publication of the first edition of these works , a wandering rumour had reached me , that the Discourses delivered by our author were not written by himself , but by his friend Dr ...
... Royal Academy to Somerset - place . Previous to the publication of the first edition of these works , a wandering rumour had reached me , that the Discourses delivered by our author were not written by himself , but by his friend Dr ...
Страница xlvi
... Royal Academy , two hundred and forty - four pictures ; at the Exhibitions previous to the institution of the Aca- demy , between 1760 and 1768 , twenty - five . Total 269 . In the whole of this period , the year 1767 was the only one ...
... Royal Academy , two hundred and forty - four pictures ; at the Exhibitions previous to the institution of the Aca- demy , between 1760 and 1768 , twenty - five . Total 269 . In the whole of this period , the year 1767 was the only one ...
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Academicians acquired admirable Albert Durer ancient appear artist ation attain attention beauty Burke Carlo Maratti character Claude Lorrain colouring composition considered copy Correggio dignity DISCOURSE distinguished ditto drapery drawing dress duced Duke Earl effect elegance eminent endeavour engraved equal excellence exhibited expression favour figures friends genius gentlemen give grace grandeur Gwatkin habits honour Hudson idea imagination imitation invention James Boswell Jervais John Boydell Johnson justly kind knowledge labour light lived Lord Lord Edgcumbe Majesty manner masters ment merit Michael Angelo mind nature never object observed opinion ornaments painter painting Paul Veronese perfect picture pleasure portraits possessed Poussin practice praise President principles produced profession racter Raffaelle rank Rembrandt respect Royal Academy Rubens rules simplicity Sir Joshua Reynolds society Students style taste thing thought tion Titian truth Vandyck variety Venetian Venetian School whole wish
Популарни одломци
Страница 59 - A man cannot tell, whether Apelles or Albert Durer were the more trifler; whereof the one would make a personage by geometrical proportions, the other by taking the best parts out of divers faces to make one Excellent. Such personages I think would please nobody, but the painter that made them.
Страница 154 - Invention is one of the great marks of genius ; but if we consult experience, we shall find that it is by being conversant with the inventions of others, that we learn to invent : as by reading the thoughts of others, we learn to think.
Страница xxix - their excellence and their value consisted in being the observations of a strong mind operating upon life ; and in consequence you find there what you seldom find in other books.
Страница xiii - It is much to be regretted that he did not live to compose such a Discourse ; for, from the hand of so great and candid an Artist, it could not but have been highly curious and instructive.
Страница 77 - THIT value and rank of every art is in proportion to the mental labour employed in it, or the mental pleasure produced by it. As this principle is observed or neglected, our profession becomes either a liberal art, or a mechanical trade.
Страница cxxii - ... his native humility, modesty, and candour never forsook him, even on surprise or provocation ; nor was the least degree of arrogance or assumption visible to the most scrutinizing eye in any part of his conduct or discourse.
Страница 155 - The mind is but a barren soil; a soil V which is soon exhausted, and will produce no crop, or only one, unless it be continually fertilized and enriched with foreign matter.
Страница 42 - You must have no dependence on your own genius. If you have great talents, industry will improve them; if you have but moderate abilities, industry will supply their deficiency. Nothing is denied to well directed labour: nothing is to be obtained without it.
Страница 96 - And though in this respect the Venetians must be allowed extraordinary skill, yet even that skill, as they have employed it, will but ill correspond with the great style. Their colouring is not only too brilliant, but, I will venture to say, too harmonious, to produce that solidity, steadiness, and simplicity of effect, which heroic subjects require, and which simple or grave colours only can give to a work.
Страница 33 - However, as the practice of copying is not entirely to be excluded, since the mechanical practice of painting is learned in some measure by it, let those choice parts only be selected which have recommended the work to notice. If its excellence...