The Literary Works of Sir Joshua Reynolds ...: Containing His Discourses, Papers in the Idler, the Journal of a Tour Through Flanders and Holland, and Also His Commentary on Du Fresnoy's Art of Painting, Том 1T. Cadell and W. Davies, 1819 |
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Страница i
... been reason to believe that Nature had , by some insurmountable impediment , obstructed our proficiency ; but the annual improvement of the Exhibitions which Your Majesty has been pleased to encourage , shows that only VOL . I. a DISCOURSE.
... been reason to believe that Nature had , by some insurmountable impediment , obstructed our proficiency ; but the annual improvement of the Exhibitions which Your Majesty has been pleased to encourage , shows that only VOL . I. a DISCOURSE.
Страница lii
... nature , and may be called the art of using other men's minds . By this kind of contemplation and exercise , we are taught to think in their way , and sometimes to attain their excellence . Thus , for instance , if I had never seen any ...
... nature , and may be called the art of using other men's minds . By this kind of contemplation and exercise , we are taught to think in their way , and sometimes to attain their excellence . Thus , for instance , if I had never seen any ...
Страница cix
... nature or seat of his disorder . During this period of great affliction to all his friends , his malady was by many supposed to be imaginary : and it was conceived , that , if he would but exert himself , he could shake it off . This ...
... nature or seat of his disorder . During this period of great affliction to all his friends , his malady was by many supposed to be imaginary : and it was conceived , that , if he would but exert himself , he could shake it off . This ...
Страница cxxi
... did not always preserve , " when they delineated individual nature . " His Portraits remind the spectator of the " invention of history , and the amenity of 66 66 landscape . In painting portraits , he ap- SIR JOSHUA REYNOLDS . cxxi.
... did not always preserve , " when they delineated individual nature . " His Portraits remind the spectator of the " invention of history , and the amenity of 66 66 landscape . In painting portraits , he ap- SIR JOSHUA REYNOLDS . cxxi.
Страница cxxiii
... nature , and illus- trated with the most proper and pertinent examples . The characters are drawn with a precision and distinctness , that we look for in vain in Felibien , De Piles , and even Vasari , or Pliny himself . Nothing for ...
... nature , and illus- trated with the most proper and pertinent examples . The characters are drawn with a precision and distinctness , that we look for in vain in Felibien , De Piles , and even Vasari , or Pliny himself . Nothing for ...
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Academicians acquired admirable Albert Durer ancient appear artist ation attain attention beauty Burke Carlo Maratti character Claude Lorrain colouring composition considered copy Correggio dignity DISCOURSE distinguished ditto drapery drawing dress duced Duke Earl effect elegance eminent endeavour engraved equal excellence exhibited expression favour figures friends genius gentlemen give grace grandeur Gwatkin habits honour Hudson idea imagination imitation invention James Boswell Jervais John Boydell Johnson justly kind knowledge labour light lived Lord Lord Edgcumbe Majesty manner masters ment merit Michael Angelo mind nature never object observed opinion ornaments painter painting Paul Veronese perfect picture pleasure portraits possessed Poussin practice praise President principles produced profession racter Raffaelle rank Rembrandt respect Royal Academy Rubens rules simplicity Sir Joshua Reynolds society Students style taste thing thought tion Titian truth Vandyck variety Venetian Venetian School whole wish
Популарни одломци
Страница 59 - A man cannot tell, whether Apelles or Albert Durer were the more trifler; whereof the one would make a personage by geometrical proportions, the other by taking the best parts out of divers faces to make one Excellent. Such personages I think would please nobody, but the painter that made them.
Страница 154 - Invention is one of the great marks of genius ; but if we consult experience, we shall find that it is by being conversant with the inventions of others, that we learn to invent : as by reading the thoughts of others, we learn to think.
Страница xxix - their excellence and their value consisted in being the observations of a strong mind operating upon life ; and in consequence you find there what you seldom find in other books.
Страница xiii - It is much to be regretted that he did not live to compose such a Discourse ; for, from the hand of so great and candid an Artist, it could not but have been highly curious and instructive.
Страница 77 - THIT value and rank of every art is in proportion to the mental labour employed in it, or the mental pleasure produced by it. As this principle is observed or neglected, our profession becomes either a liberal art, or a mechanical trade.
Страница cxxii - ... his native humility, modesty, and candour never forsook him, even on surprise or provocation ; nor was the least degree of arrogance or assumption visible to the most scrutinizing eye in any part of his conduct or discourse.
Страница 155 - The mind is but a barren soil; a soil V which is soon exhausted, and will produce no crop, or only one, unless it be continually fertilized and enriched with foreign matter.
Страница 42 - You must have no dependence on your own genius. If you have great talents, industry will improve them; if you have but moderate abilities, industry will supply their deficiency. Nothing is denied to well directed labour: nothing is to be obtained without it.
Страница 96 - And though in this respect the Venetians must be allowed extraordinary skill, yet even that skill, as they have employed it, will but ill correspond with the great style. Their colouring is not only too brilliant, but, I will venture to say, too harmonious, to produce that solidity, steadiness, and simplicity of effect, which heroic subjects require, and which simple or grave colours only can give to a work.
Страница 33 - However, as the practice of copying is not entirely to be excluded, since the mechanical practice of painting is learned in some measure by it, let those choice parts only be selected which have recommended the work to notice. If its excellence...