The Literary Works of Sir Joshua Reynolds ...: Containing His Discourses, Papers in the Idler, the Journal of a Tour Through Flanders and Holland, and Also His Commentary on Du Fresnoy's Art of Painting, Том 1T. Cadell and W. Davies, 1819 |
Из књиге
Резултати 1-5 од 79
Страница x
... practice of his art : and he always considered the disagreement which induced him to leave Mr. Hudson as a very fortunate circumstance , since by this means he was led to deviate from the tameness and insipidity of his master , and to ...
... practice of his art : and he always considered the disagreement which induced him to leave Mr. Hudson as a very fortunate circumstance , since by this means he was led to deviate from the tameness and insipidity of his master , and to ...
Страница xi
... practice of painting , partly in London † and partly in Devonshire , where many of his early essays yet remain , he became acquainted with by young Reynolds about the same time , in the Collec tion of Lord Eliot , at Port Eliot in ...
... practice of painting , partly in London † and partly in Devonshire , where many of his early essays yet remain , he became acquainted with by young Reynolds about the same time , in the Collec tion of Lord Eliot , at Port Eliot in ...
Страница xiii
... practice ; toge- ther with a view of the advantages which he had enjoyed , and the disadvantages he had laboured under , in the course that he had run a scheme from which , however liable it might be to the ridicule of Wits and Scoffers ...
... practice ; toge- ther with a view of the advantages which he had enjoyed , and the disadvantages he had laboured under , in the course that he had run a scheme from which , however liable it might be to the ridicule of Wits and Scoffers ...
Страница xix
... practice of copying the great works † which were at this period * This observation occurs nearly in the same words in the first Discourse . + Of the few copies which he made while he was at Rome , two are now in the possession of the ...
... practice of copying the great works † which were at this period * This observation occurs nearly in the same words in the first Discourse . + Of the few copies which he made while he was at Rome , two are now in the possession of the ...
Страница xx
... practice and habits of study , while he was in Italy , is , I know , much desired by several Artists of the present day ; but these I have no means chael , the Archangel , slaying the Dragon , after Guido ; and the School of Athens ...
... practice and habits of study , while he was in Italy , is , I know , much desired by several Artists of the present day ; but these I have no means chael , the Archangel , slaying the Dragon , after Guido ; and the School of Athens ...
Друга издања - Прикажи све
The Literary Works of Sir Joshua Reynolds ...: Containing His Discourses ... Приказ није доступан - 2020 |
Чести термини и фразе
Academicians acquired admirable Albert Durer ancient appear artist ation attain attention beauty Burke Carlo Maratti character Claude Lorrain colouring composition considered copy Correggio dignity DISCOURSE distinguished ditto drapery drawing dress duced Duke Earl effect elegance eminent endeavour engraved equal excellence exhibited expression favour figures friends genius gentlemen give grace grandeur Gwatkin habits honour Hudson idea imagination imitation invention James Boswell Jervais John Boydell Johnson justly kind knowledge labour light lived Lord Lord Edgcumbe Majesty manner masters ment merit Michael Angelo mind nature never object observed opinion ornaments painter painting Paul Veronese perfect picture pleasure portraits possessed Poussin practice praise President principles produced profession racter Raffaelle rank Rembrandt respect Royal Academy Rubens rules simplicity Sir Joshua Reynolds society Students style taste thing thought tion Titian truth Vandyck variety Venetian Venetian School whole wish
Популарни одломци
Страница 59 - A man cannot tell, whether Apelles or Albert Durer were the more trifler; whereof the one would make a personage by geometrical proportions, the other by taking the best parts out of divers faces to make one Excellent. Such personages I think would please nobody, but the painter that made them.
Страница 154 - Invention is one of the great marks of genius ; but if we consult experience, we shall find that it is by being conversant with the inventions of others, that we learn to invent : as by reading the thoughts of others, we learn to think.
Страница xxix - their excellence and their value consisted in being the observations of a strong mind operating upon life ; and in consequence you find there what you seldom find in other books.
Страница xiii - It is much to be regretted that he did not live to compose such a Discourse ; for, from the hand of so great and candid an Artist, it could not but have been highly curious and instructive.
Страница 77 - THIT value and rank of every art is in proportion to the mental labour employed in it, or the mental pleasure produced by it. As this principle is observed or neglected, our profession becomes either a liberal art, or a mechanical trade.
Страница cxxii - ... his native humility, modesty, and candour never forsook him, even on surprise or provocation ; nor was the least degree of arrogance or assumption visible to the most scrutinizing eye in any part of his conduct or discourse.
Страница 155 - The mind is but a barren soil; a soil V which is soon exhausted, and will produce no crop, or only one, unless it be continually fertilized and enriched with foreign matter.
Страница 42 - You must have no dependence on your own genius. If you have great talents, industry will improve them; if you have but moderate abilities, industry will supply their deficiency. Nothing is denied to well directed labour: nothing is to be obtained without it.
Страница 96 - And though in this respect the Venetians must be allowed extraordinary skill, yet even that skill, as they have employed it, will but ill correspond with the great style. Their colouring is not only too brilliant, but, I will venture to say, too harmonious, to produce that solidity, steadiness, and simplicity of effect, which heroic subjects require, and which simple or grave colours only can give to a work.
Страница 33 - However, as the practice of copying is not entirely to be excluded, since the mechanical practice of painting is learned in some measure by it, let those choice parts only be selected which have recommended the work to notice. If its excellence...