Annals of the Fine Arts, Том 4Sherwood, Neely, and Jones, 1820 |
Из књиге
Резултати 1-5 од 16
Страница 630
... copper plates form this series of views of the ecclesiastical archi- tecture of London and its suburbs , by J. Coney , G. Shep- herd , & c . Engraved by J. Skelton , W. Angus , J. Wise , & c .; the whole intended for a more full ...
... copper plates form this series of views of the ecclesiastical archi- tecture of London and its suburbs , by J. Coney , G. Shep- herd , & c . Engraved by J. Skelton , W. Angus , J. Wise , & c .; the whole intended for a more full ...
Страница 6
... copper , and the last a pale rose colour , which he regards as analogous to the lake formed by fixing the colouring matter of madder upon alumine . I shall again refer to the observations of M. CHAPTAL in the course of this paper . It ...
... copper , and the last a pale rose colour , which he regards as analogous to the lake formed by fixing the colouring matter of madder upon alumine . I shall again refer to the observations of M. CHAPTAL in the course of this paper . It ...
Страница 7
... or the red oxide of lead . On exposing the dull red to heat , it became * Nearly the same tint as prussiate of copper . black , but on cooling it recovered its former tint Colours used by the Ancients in Painting . 7.
... or the red oxide of lead . On exposing the dull red to heat , it became * Nearly the same tint as prussiate of copper . black , but on cooling it recovered its former tint Colours used by the Ancients in Painting . 7.
Страница 14
... copper . A quantity of the colour was fused for half an hour with twice its weight of hydrate of potassa ; the mass which was bluish green , was treated by muriatic acid in the manner usually employed for the analysis of siliceous ...
... copper . A quantity of the colour was fused for half an hour with twice its weight of hydrate of potassa ; the mass which was bluish green , was treated by muriatic acid in the manner usually employed for the analysis of siliceous ...
Страница 15
... copper . The undiluted colour in its form of frit is used for ornamenting some of the mouldings . detached from the cielings of the chambers in the baths of Titus : and the walls of one chamber between the compartments of red marble ...
... copper . The undiluted colour in its form of frit is used for ornamenting some of the mouldings . detached from the cielings of the chambers in the baths of Titus : and the walls of one chamber between the compartments of red marble ...
Друга издања - Прикажи све
Чести термини и фразе
acid admiration ancient animal Antiquities Apicius appears architect architecture artists AUTORI Lar avanti baths of Titus beautiful Benjamin West blue buildings Camden Town Cavendish-square celebrated character Charlotte-street chrysocolla colour columns copper Covent Garden Detto Dick Domestic edifice effect elegant English engraving esemplari excellence executed exhibition expression favour feeling figure Fitzroy-square gallery genius gesture ghez graceful Grecian Greeks Gusto H. R. H. the Prince hand Haydon History and Portrait honour HUMPHRY DAVY intaglio John labour Landscape lectures Lettere Majesty masters ment mind Miniature monument Morghen muriatic acid nature New-road Newman-street object observed ochres ornaments oxide painter painting Pentonville perfect picture PLINY Pompeii possess present Prince Regent principal produced Raffaelle Ritratto Roman Rome Royal Academy says sculpture Soane Soho statue style taste temples THEOPHRASTUS thing tint tion Titian VITRUVIUS West Wilkie William yellow
Популарни одломци
Страница 638 - Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above. That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue.
Страница 131 - And he answered and said unto them, I tell you that, if these should hold their peace, the stones would immediately cry out.
Страница 638 - Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone...
Страница 639 - Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return.
Страница 639 - Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty," — that is all Ye know on earth, and all ye need to know.
Страница 638 - Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady ? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy?
Страница 638 - Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss Though winning near the goal— yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair!
Страница 218 - He walks th* impalpable and pathless sky : The rich luxuriance of his hair, confined In graceful ringlets, wantons on the wind, That lifts in sport his mantle's drooping fold. Proud to display that form of faultless mould.
Страница 547 - Raphael's gusto was only in expression ; he had no idea of the character of anything but the human form. The dryness and poverty of his style in other respects is a phenomenon in the art. His trees are like sprigs of grass stuck in a book of botanical specimens.
Страница 131 - Olives, the whole multitude of the disciples began to rejoice and praise God with a loud voice for all the mighty works which they had seen; saying, ' Blessed is the King that cometh in the name of the Lord: peace in heaven, and glory in the highest.