The Philosophy of the Human Voice: Embracing Its Physiological History; Together with a System of Principles, by which Criticism in the Art of Elocution May be Rendered Intelligible, and Instruction, Definite and Comprehensive. To which is Added A Brief Analysis of Song and RecitativeGrigg & Elliott, 1833 - 432 страница |
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Страница xvi
... applied till about the seventh century , afforded the only data , for modern inquiry into the nature of Greek in- tonation , and created a learned dispute , which has been con- tinued without one satisfactory result , from the time of ...
... applied till about the seventh century , afforded the only data , for modern inquiry into the nature of Greek in- tonation , and created a learned dispute , which has been con- tinued without one satisfactory result , from the time of ...
Страница 32
... applying this accident . Time , in the art of speaking , is subdivided into long , short , quick , slow and rapid . Music has a more precise scale of re- lationship , in its order of signs from semibreve to double- demisemiquaver . The ...
... applying this accident . Time , in the art of speaking , is subdivided into long , short , quick , slow and rapid . Music has a more precise scale of re- lationship , in its order of signs from semibreve to double- demisemiquaver . The ...
Страница 35
... applied , are found in the higher works of the art alone , and are borrowed from mathematics ; in which science they designate the two great generic divisions of quantity . Thus Magnitude is the concrete quantity ; for the lines ...
... applied , are found in the higher works of the art alone , and are borrowed from mathematics ; in which science they designate the two great generic divisions of quantity . Thus Magnitude is the concrete quantity ; for the lines ...
Страница 36
... applied to the two kinds of quantity in musical sound , is furnished by the form of a ladder , in which the side rails represent the concrete , and the rounds the discrete . The well informed reader should regard this general view of ...
... applied to the two kinds of quantity in musical sound , is furnished by the form of a ladder , in which the side rails represent the concrete , and the rounds the discrete . The well informed reader should regard this general view of ...
Страница 42
... applied to a regulated vocal or instru- mental use of all those modes of pitch which are described in the above named scales . The full meaning of the term em- braces the further relations of time , rythmus and pause : but 1 here speak ...
... applied to a regulated vocal or instru- mental use of all those modes of pitch which are described in the above named scales . The full meaning of the term em- braces the further relations of time , rythmus and pause : but 1 here speak ...
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The Philosophy of the Human Voice: Embracing Its Physiological History ... James Rush Преглед исечка - 1833 |
Чести термини и фразе
a-we accent applied arsis and thesis aspiration atonic cadence called character chromatic melody concrete movement concrete rise consists constituents continued crete current melody degree descending diatonic melody diatonic scale dignity diphthongal discourse discrete distinction downward concrete drift effect elocution emphasis emphatic employed equable concrete equal expression falsette faults force fulness function give glottis heard higher intervals human voice immutable syllables indefinite inverted Julius Cæsar long quantity marked means ment minor third mode of intonation modes of stress musical nature notation orotund passion pause peculiar perception phatic phrases plaintive produced pronunciation purpose radical and vanishing radical change radical pitch radical stress reader require rythmus scale semitone sentence sentiment short simple rise song sound speaker speaking speech subtonic succession symbol tion tone tremor tremulous utterance uvula vanishing movement vanishing stress varied vocal voice wave whilst words
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