The Philosophy of the Human Voice: Embracing Its Physiological History; Together with a System of Principles, by which Criticism in the Art of Elocution May be Rendered Intelligible, and Instruction, Definite and Comprehensive. To which is Added A Brief Analysis of Song and RecitativeGrigg & Elliott, 1833 - 432 страница |
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Страница vi
... Tone , 335 By the Rising Third , Fifth and Octave , ib . By the Downward Third , Fifth and Octave , 336 By the Wave of the Semitone , ib . By the Wave of the Second , 337 By the Waves of the Third , Fifth and Octave , ib . By the ...
... Tone , 335 By the Rising Third , Fifth and Octave , ib . By the Downward Third , Fifth and Octave , 336 By the Wave of the Semitone , ib . By the Wave of the Second , 337 By the Waves of the Third , Fifth and Octave , ib . By the ...
Страница xix
... tone ' - Reverential tone'- Evenness of voice'- ' Tone of solemn dignity'- ' Of supplication'— ' Of sorrow and contrition . ' Those who know what constitutes the accuracy of terms , must confess that these , and similar attempts to name ...
... tone ' - Reverential tone'- Evenness of voice'- ' Tone of solemn dignity'- ' Of supplication'— ' Of sorrow and contrition . ' Those who know what constitutes the accuracy of terms , must confess that these , and similar attempts to name ...
Страница xx
... tone ; ' and we may presume , that if he had been asked how pomp and magnificence of feeling should be expressed , he would have said , by gran- deur of tone . These are words , not explanations . Nor can any weight of authority give ...
... tone ; ' and we may presume , that if he had been asked how pomp and magnificence of feeling should be expressed , he would have said , by gran- deur of tone . These are words , not explanations . Nor can any weight of authority give ...
Страница 35
... Tone and Semitone , to which I shall presently refer . T F Upon comparing this picture with the above account of the production of concrete sound , and supposing the latter to be represented by the con- tinued vertical line on which ...
... Tone and Semitone , to which I shall presently refer . T F Upon comparing this picture with the above account of the production of concrete sound , and supposing the latter to be represented by the con- tinued vertical line on which ...
Страница 36
... Tone . That between the second and third is likewise a tone . That between the third and fourth , which appears as but half the space of a tone , is called a Semitone . The interval between the fourth and fifth ; fifth and sixth ; sixth ...
... Tone . That between the second and third is likewise a tone . That between the third and fourth , which appears as but half the space of a tone , is called a Semitone . The interval between the fourth and fifth ; fifth and sixth ; sixth ...
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The Philosophy of the Human Voice: Embracing Its Physiological History ... James Rush Преглед исечка - 1833 |
Чести термини и фразе
a-we accent applied arsis and thesis aspiration atonic cadence called character chromatic melody concrete movement concrete rise consists constituents continued crete current melody degree descending diatonic melody diatonic scale dignity diphthongal discourse discrete distinction downward concrete drift effect elocution emphasis emphatic employed equable concrete equal expression falsette faults force fulness function give glottis heard higher intervals human voice immutable syllables indefinite inverted Julius Cæsar long quantity marked means ment minor third mode of intonation modes of stress musical nature notation orotund passion pause peculiar perception phatic phrases plaintive produced pronunciation purpose radical and vanishing radical change radical pitch radical stress reader require rythmus scale semitone sentence sentiment short simple rise song sound speaker speaking speech subtonic succession symbol tion tone tremor tremulous utterance uvula vanishing movement vanishing stress varied vocal voice wave whilst words
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