The British Orator: Comprising Observations on Vocal Gymnastics, Articulation, Melody, Modulation, Force, Time, and Gesture : Together with a Copious Selection of Extracts in Poetry and Prose, for Exercise in Reading and DeclamationSimpkin, Marshall, Hamilton, Kent, 1901 - 511 страница |
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Страница i
... muscles which , by their successive ( or alternate ( and combined action , give rise to voice and speech , be educated into strength and measured and harmonious \ or ii . movement , and produce clear and full intonation.
... muscles which , by their successive ( or alternate ( and combined action , give rise to voice and speech , be educated into strength and measured and harmonious \ or ii . movement , and produce clear and full intonation.
Страница 18
... to be discerned by the ear , they may be said to be concreted together into one unbroken move- ment , which is properly enough named a slide . This slide , when heard , is perceived to rise and fall in pitch 18 THE BRITISH ORATOR .
... to be discerned by the ear , they may be said to be concreted together into one unbroken move- ment , which is properly enough named a slide . This slide , when heard , is perceived to rise and fall in pitch 18 THE BRITISH ORATOR .
Страница 19
... rise and fall in pitch only as a whole , and is therefore called a concrete sound . Such a slide , rising or falling in pitch , is invariably made whenever a syllable is spoken ; or , in other words , is inseparable from the act of ...
... rise and fall in pitch only as a whole , and is therefore called a concrete sound . Such a slide , rising or falling in pitch , is invariably made whenever a syllable is spoken ; or , in other words , is inseparable from the act of ...
Страница 20
... rising inflection . Hence it should never be employed merely for the sake of variety ; but for emphases and cadences . Neither should a rising inflection be used for the sake of mere harmony , where a falling inflection would better ...
... rising inflection . Hence it should never be employed merely for the sake of variety ; but for emphases and cadences . Neither should a rising inflection be used for the sake of mere harmony , where a falling inflection would better ...
Страница 35
... rising in him by turns , and working from the depth of his frame . Now he glows with the love of the public ; now he flames with indignation at its enemies ; then he will swell with dis- dain of its false , indolent , or interested ...
... rising in him by turns , and working from the depth of his frame . Now he glows with the love of the public ; now he flames with indignation at its enemies ; then he will swell with dis- dain of its false , indolent , or interested ...
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Altorf arms art thou articulation bells black crows blood bosom breath brother brow Brutus Cæsar Canute Capt Cato cried dare dead dear death Demosthenes diphthong doth dread earth Elocution eyes father fear feel gentlemen Gesler gesture give grace hand hast hath head hear heard heart heaven honor hope House of Commons Huon Iago Ireland king Lady learned friend liberty live Lochinvar look lord Macb mind mother nature never night noble o'er once passion peace poor pray Rolla Rome round sare SHAKSPERE Shylock singing Sir Anth slavery smile soul sound speak speech spirit sure sweet syllable tears Tell thee thing thou dost thought Tom Long tongue trembling triphthongs Twas utterance vocal voice vowel wife word young