Studies in LiteratureMacmillan, 1913 - 333 страница |
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... NOVEL ( a ) Ivanhoe • ( b ) Silas Marner ( c ) The House of Seven Gables III . THE DRAMA ( a ) Henry V ( b ) Julius Cæsar 15 18 24 ( c ) Macbeth ( d ) Twelfth Night ( e ) A Midsummer Night's Dream . IV . THE ESSAY . VI . ( a ) The Sir ...
... NOVEL ( a ) Ivanhoe • ( b ) Silas Marner ( c ) The House of Seven Gables III . THE DRAMA ( a ) Henry V ( b ) Julius Cæsar 15 18 24 ( c ) Macbeth ( d ) Twelfth Night ( e ) A Midsummer Night's Dream . IV . THE ESSAY . VI . ( a ) The Sir ...
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... Novel 263 ( e ) Criticism 266 XII . ROMANTICISM 269 ( a ) Poetry 269 ( b ) Prose 285 XIII . THE VICTORIAN ERA 291 ( a ) Realism 295 ( b ) Idealism 301 LIST OF ILLUSTRATIONS Esthwaite Water The Capture of Troy . viii TABLE OF CONTENTS.
... Novel 263 ( e ) Criticism 266 XII . ROMANTICISM 269 ( a ) Poetry 269 ( b ) Prose 285 XIII . THE VICTORIAN ERA 291 ( a ) Realism 295 ( b ) Idealism 301 LIST OF ILLUSTRATIONS Esthwaite Water The Capture of Troy . viii TABLE OF CONTENTS.
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... is true of the old popular ballads and epics , composed before the days of printed books when literature was recited or sung , and transmitted from genera- Novels and poems , Whenever we wish tion to generation B 1 THE EPIC CHAPTER.
... is true of the old popular ballads and epics , composed before the days of printed books when literature was recited or sung , and transmitted from genera- Novels and poems , Whenever we wish tion to generation B 1 THE EPIC CHAPTER.
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Frederick Monroe Tisdel. Novels and poems , Whenever we wish tion to generation by word of mouth . even essays and orations , represent life . a vital interpretation of the life of a time , we go , if we are wise , to its literature ...
Frederick Monroe Tisdel. Novels and poems , Whenever we wish tion to generation by word of mouth . even essays and orations , represent life . a vital interpretation of the life of a time , we go , if we are wise , to its literature ...
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... novel , for instance , is composed , or as Paradise Lost was composed , but that it was the outcome of a long line of national tradition and therefore represents not so much the reflective thought of a single author as the life of an ...
... novel , for instance , is composed , or as Paradise Lost was composed , but that it was the outcome of a long line of national tradition and therefore represents not so much the reflective thought of a single author as the life of an ...
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Чести термини и фразе
Achilles action Addison Arthur ballads battle beauty Cædmon Cæsar Carlyle Carlyle's century CHAPTER character classical climax comedy comic Compare Comus contrast criticism developed drama effect emotional Eneid England English Literature epic ESSAYS AND REPORTS Explain Faerie Queene famous French French Revolution Gawain George Eliot Gorboduc Greek Guinevere Gulliver's Travels Henry Holinshed human humor idea ideal Idylls Iliad illustrates imagination influence interest Ivanhoe Johnson Julius Cæsar King knights Lady language Layamon learned lines literary lyric Macaulay's Macbeth Macmillan method Milton mind moral nature novel Odysseus paragraph passages passion period picture play plot poem poet poetic poetry popular prose Puritan represented romance romanticism satire scene Scott sentence sestet Shakespeare Silas Marner Sir Roger speech spirit stanza story style Tennyson theme thought tion TOPICS FOR ESSAYS tragedy Twelfth Night verse Victorian Era Whigs words Wordsworth writing
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Страница 97 - Here Reynolds is laid, and to tell you my mind, He has not left a wiser or better behind : His pencil was striking, resistless, and grand : His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
Страница 275 - What then I was. The sounding cataract Haunted me like a passion : the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms were then to me An appetite ; a feeling and a love That had no need of a remoter charm, By thought supplied, or any interest Unborrowed from the eye.
Страница 97 - Here lies our good Edmund, whose genius was such, We scarcely can praise it, or blame it too much; Who, born for the universe, narrow'd his mind, And to party gave up what was meant for mankind. Though fraught with all learning, yet straining his throat To persuade Tommy Townshend to lend him a vote...
Страница 239 - When Love with unconfine'd wings Hovers within my Gates ; And my divine Althea brings To whisper at the Grates : When I lie tangled in her hair, And fetter'd to her eye ; The Birds, that wanton in the Air, Know no such Liberty.
Страница 306 - To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain; And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night.
Страница 254 - twixt south and southwest side; On either which he would dispute, Confute, change hands, and still confute. He'd undertake to prove by force Of argument, a man's no horse; He'd prove a buzzard is no fowl, And that a lord may be an owl; A calf an alderman, a goose a justice, And rooks committee-men and trustees.
Страница 278 - There was a time when, though my path was rough, This joy within me dallied with distress, And all misfortunes were but as the stuff Whence Fancy made me dreams of happiness: For hope grew round me, like the twining vine, And fruits, and foliage, not my own, seem'd mine.
Страница 241 - Let us (said he) pour on him all we can : Let the world's riches, which dispersed lie, Contract into a span. So strength first made a way ; Then beauty flow'd, then wisdom, honour, pleasure : When almost all was out, God made a stay, Perceiving that alone, of all his treasure, Rest in the bottom lay. For if I should...
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Страница 16 - When a writer calls his work a Romance, it need hardly be observed that he wishes to claim a certain latitude, both as to its fashion and material, which he would not have felt himself entitled to assume had he professed to be writing a Novel. The latter form of composition is presumed to aim at a very minute fidelity, not merely to the possible, but to the probable and ordinary course of man's experience.