Studies in LiteratureMacmillan, 1913 - 333 страница |
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Страница 30
... tragedy lies in the play of character upon character , passion upon passion , all ruled by an inevitable fate . The situation is not physical , but mental , moral , spiritual . In this , George Eliot shows a power very different from ...
... tragedy lies in the play of character upon character , passion upon passion , all ruled by an inevitable fate . The situation is not physical , but mental , moral , spiritual . In this , George Eliot shows a power very different from ...
Страница 41
... illustrate the highest artistic form in either tragedy or comedy ; yet for comic situation , for graphic , heroic narrative in dialogue they are highly impor- tant . HENRY V SUGGESTIONS FOR STUDY Act I PROLOGUE . The THE DRAMA 41.
... illustrate the highest artistic form in either tragedy or comedy ; yet for comic situation , for graphic , heroic narrative in dialogue they are highly impor- tant . HENRY V SUGGESTIONS FOR STUDY Act I PROLOGUE . The THE DRAMA 41.
Страница 45
... TRAGEDY Real tragedy developed side by side with the Chronicle History play . When Shakespeare began his career in Lon- don , the theater was the center of English life ; it served as newspaper , magazine , and text - book of history ...
... TRAGEDY Real tragedy developed side by side with the Chronicle History play . When Shakespeare began his career in Lon- don , the theater was the center of English life ; it served as newspaper , magazine , and text - book of history ...
Страница 46
... tragedy of blood . But gradually the playwrights improved in taste . Men like Christopher Marlowe , who knew something of the classical drama then having a revival in the schools , began to write for the stage with more definite ideas ...
... tragedy of blood . But gradually the playwrights improved in taste . Men like Christopher Marlowe , who knew something of the classical drama then having a revival in the schools , began to write for the stage with more definite ideas ...
Страница 47
... tragedy seems to demand three acts at least : an introductory act , a climax act , and a catastrophe act . There may , however , be more ; in Shakespeare's tragedies there are five . Passion once aroused needs time to develop toward a ...
... tragedy seems to demand three acts at least : an introductory act , a climax act , and a catastrophe act . There may , however , be more ; in Shakespeare's tragedies there are five . Passion once aroused needs time to develop toward a ...
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Чести термини и фразе
Achilles action Addison Arthur ballads battle beauty Cædmon Cæsar Carlyle Carlyle's century CHAPTER character classical climax comedy comic Compare Comus contrast criticism developed drama effect emotional Eneid England English Literature epic ESSAYS AND REPORTS Explain Faerie Queene famous French French Revolution Gawain George Eliot Gorboduc Greek Guinevere Gulliver's Travels Henry Holinshed human humor idea ideal Idylls Iliad illustrates imagination influence interest Ivanhoe Johnson Julius Cæsar King knights Lady language Layamon learned lines literary lyric Macaulay's Macbeth Macmillan method Milton mind moral nature novel Odysseus paragraph passages passion period picture play plot poem poet poetic poetry popular prose Puritan represented romance romanticism satire scene Scott sentence sestet Shakespeare Silas Marner Sir Roger speech spirit stanza story style Tennyson theme thought tion TOPICS FOR ESSAYS tragedy Twelfth Night verse Victorian Era Whigs words Wordsworth writing
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Страница 254 - twixt south and southwest side; On either which he would dispute, Confute, change hands, and still confute. He'd undertake to prove by force Of argument, a man's no horse; He'd prove a buzzard is no fowl, And that a lord may be an owl; A calf an alderman, a goose a justice, And rooks committee-men and trustees.
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Страница 16 - When a writer calls his work a Romance, it need hardly be observed that he wishes to claim a certain latitude, both as to its fashion and material, which he would not have felt himself entitled to assume had he professed to be writing a Novel. The latter form of composition is presumed to aim at a very minute fidelity, not merely to the possible, but to the probable and ordinary course of man's experience.