Exits and EntrancesTheatre Communications Group, 2008 - 68 страница |
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Страница 44
... writing desk , where he sat writing at the beginning of the play . It is 1961. André remains seated in an old armchair sipping brandy a lonely figure - until the end of the play . ) PLAYWRIGHT ( Speaking directly to the audience ) : And ...
... writing desk , where he sat writing at the beginning of the play . It is 1961. André remains seated in an old armchair sipping brandy a lonely figure - until the end of the play . ) PLAYWRIGHT ( Speaking directly to the audience ) : And ...
Страница 52
... writing in his notebook . ( Fugard's notebooks have been his constant companions for a number of years . He uses them to comment on his life , the life of South Africa , and his work process . ) As the Playwright reminisces about ...
... writing in his notebook . ( Fugard's notebooks have been his constant companions for a number of years . He uses them to comment on his life , the life of South Africa , and his work process . ) As the Playwright reminisces about ...
Страница 64
... writing , and , at the end of the play , he destroys the novel he had been writing about her because he realizes that he has not been telling the truth , but rather adopting the imitative conceits of a fledgling writer . Valley Song is ...
... writing , and , at the end of the play , he destroys the novel he had been writing about her because he realizes that he has not been telling the truth , but rather adopting the imitative conceits of a fledgling writer . Valley Song is ...
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acting actor Afrikaans theatre Afrikaner André Huguenet apartheid arrogance Athol Fugard audience Bloemfontein Bloemfontein Town Hall Blood Knot bully Cape Town Captain's Tiger Cardinal Christelikheid city that Cadmus conceit costume rack curse dear boy death Dopper family Dopper Moffie dream dressing room Eugène Marais Euripides Exits and Entrances father finally Fugard's plays Gerhardus Petrus Borstlap Hassan James Elroy Flecker Jocasta Karoo knew Labia Theatre Lesson from Aloes live Marianne McDonald Master Harold mother Nieu Bethesda night nines notebook Oedipus the King onstage Pause Pavlova performance PLAYWRIGHT Laughing poephol pondok Port Elizabeth pray realized recent plays Road to Mecca role saw tonight scrubbing the floor Sharpeville silence sleep soliloquy Sophocles Sorrows and Rejoicings South Africa speak stage blood Stephen Sachs story talking telling thought trying Valley Song Valley Song 1995 vision volk wear What's word writing Yasmin young