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Representation and Reformation in Measure for Measure
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action actor Antony appears argues attempt audience authority becomes beginning body Caesar calls character Christian claims complaint concern conventional course court critics cultural death desire discussion early edition effect Elizabethan England English example fact Falstaff father female figure final force gender give hand Henry identity imagine interpretation Jews John kind King language less letter lines live London Lord male Margaret marriage means Measure moral nature never notes object Oldcastle opening performance play play's poem poet political position possible present Press Queen question reading reason reference reformation relation relationship remains Renaissance representation represents rhetoric role scene seems sense sexual Shake Shakespeare social soliloquy sonnets speak speech stage story suggests theater theatrical thing thou tion true turn University woman women writes York young