Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 страница Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... argues that " there remains an unshakeable sense that it [ the trial scene ] fails to conclude the play in a way that leaves us entirely content ; it does not fully resolve the issues and release the dramatic tensions which the course ...
... argues that " there remains an unshakeable sense that it [ the trial scene ] fails to conclude the play in a way that leaves us entirely content ; it does not fully resolve the issues and release the dramatic tensions which the course ...
Страница 13
... argues that Measure for Measure represents " theater as the place of private conversional work rather than as the gathering - place of politically reconciliatory mirth , " and he contends that Jacobean comedy , in sharp con- trast to ...
... argues that Measure for Measure represents " theater as the place of private conversional work rather than as the gathering - place of politically reconciliatory mirth , " and he contends that Jacobean comedy , in sharp con- trast to ...
Страница 61
... argues , " that the legend should establish a causal relation between them " ( 20 ) . Shapiro claims that " by the late sixteenth century the widespread medieval identifica- tion of Jews and the devil had virtually disappeared in ...
... argues , " that the legend should establish a causal relation between them " ( 20 ) . Shapiro claims that " by the late sixteenth century the widespread medieval identifica- tion of Jews and the devil had virtually disappeared in ...
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Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
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