Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 страница Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Страница 54
... critics could deal with religion , gender , or class but not with all three . There were no attempts to understand how such categories are , as Carol Neely puts it , " inseparable , unstable , disunified , and mutually constitutive ...
... critics could deal with religion , gender , or class but not with all three . There were no attempts to understand how such categories are , as Carol Neely puts it , " inseparable , unstable , disunified , and mutually constitutive ...
Страница 55
... critics could deal with religion , gender , or class but not with all three . There were no attempts to understand how such categories are , as Carol Neely puts it , " inseparable , unstable , disunified , and mutually constitutive ...
... critics could deal with religion , gender , or class but not with all three . There were no attempts to understand how such categories are , as Carol Neely puts it , " inseparable , unstable , disunified , and mutually constitutive ...
Страница 369
... critics ) was less positive about the production in general . One of the main problem areas cited by critics was the acting . Coming into Boston Shakespeare , Sellars inherited what was essentially a semiprofessional pick - up com- pany ...
... critics ) was less positive about the production in general . One of the main problem areas cited by critics was the acting . Coming into Boston Shakespeare , Sellars inherited what was essentially a semiprofessional pick - up com- pany ...
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Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
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actor Antony argues audience authority Bastard becomes Benedick body Caesar Chalmers character Christian claims Clarissa Cleopatra comedy comic complaint conventional Cordelia Coriolanus critics cultural death desire drama early modern edition Elizabeth Elizabethan England English erotic essay fact Falstaff father female figure Ganymede gender Hamlet Henry Henry VI Hippolyta homosexual identity Irving's Jessica Jewish Jews Joan John King King Lear language Lear Leontes lines London Lord lover Lover's Complaint Lucrece Macbeth magic male Margaret Marranos marriage Measure for Measure ment Merchant of Venice moral Oldcastle Ophelia performance Pericles Petrarchan play's poems poet political Polixenes Prince Protestant Queen reading reference reformation relationship Renaissance representation role scene seems sense sexual Shake Shakespeare Shylock social sodomy sonnet 20 sonnets speare's speech stage suggests theater theatrical thee Theseus thou tion Titus Andronicus tragedy University Press Winter's Tale woman women words York