Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 страница Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Страница 116
... reference contributes to a pattern of conspicuous backward references , and that may be explanation enough : it is one of several mnemonic trig- gers that keep 2.2 and 2.4 in full recall during the boundary crossing ( from tavern to ...
... reference contributes to a pattern of conspicuous backward references , and that may be explanation enough : it is one of several mnemonic trig- gers that keep 2.2 and 2.4 in full recall during the boundary crossing ( from tavern to ...
Страница 162
... references to pilgrims go- ing to Canterbury , repeated oaths such as Prince Hal's " By'r Lady " ( 2.4.295 ) , and Falstaff's phrase " ecce signum ! " ( " behold the proof ! " ) - familiar words from the Mass - spoken with reference to ...
... references to pilgrims go- ing to Canterbury , repeated oaths such as Prince Hal's " By'r Lady " ( 2.4.295 ) , and Falstaff's phrase " ecce signum ! " ( " behold the proof ! " ) - familiar words from the Mass - spoken with reference to ...
Страница 346
... reference to the ghosts , fairies , and witches that people Shakespeare's plays . Yet Shakespeare's interest in magic went far deeper than this and in play after play he explored the question of the relation of power to magic . Nowhere ...
... reference to the ghosts , fairies , and witches that people Shakespeare's plays . Yet Shakespeare's interest in magic went far deeper than this and in play after play he explored the question of the relation of power to magic . Nowhere ...
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Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
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actor Antony argues audience authority Bastard becomes Benedick body Caesar Chalmers character Christian claims Clarissa Cleopatra comedy comic complaint conventional Cordelia Coriolanus critics cultural death desire drama early modern edition Elizabeth Elizabethan England English erotic essay fact Falstaff father female figure Ganymede gender Hamlet Henry Henry VI Hippolyta homosexual identity Irving's Jessica Jewish Jews Joan John King King Lear language Lear Leontes lines London Lord lover Lover's Complaint Lucrece Macbeth magic male Margaret Marranos marriage Measure for Measure ment Merchant of Venice moral Oldcastle Ophelia performance Pericles Petrarchan play's poems poet political Polixenes Prince Protestant Queen reading reference reformation relationship Renaissance representation role scene seems sense sexual Shake Shakespeare Shylock social sodomy sonnet 20 sonnets speare's speech stage suggests theater theatrical thee Theseus thou tion Titus Andronicus tragedy University Press Winter's Tale woman women words York