Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 страница Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... writes , " is the knowlege of sinne . " 3 For him , the law does not correct or control sin but rather represents it , showing people the multiple ways they have transgressed . The law , he writes , is a " loking glasse " that ...
... writes , " is the knowlege of sinne . " 3 For him , the law does not correct or control sin but rather represents it , showing people the multiple ways they have transgressed . The law , he writes , is a " loking glasse " that ...
Страница 140
... writes , " the most fundamental structural characteristic of English society was its high degree of stratification , its distinctive and pervasive system of social inequality " ( 17 ) . The very bulk of contemporary writing on order and ...
... writes , " the most fundamental structural characteristic of English society was its high degree of stratification , its distinctive and pervasive system of social inequality " ( 17 ) . The very bulk of contemporary writing on order and ...
Страница 266
... writes : " Wedloke must be coupled togither with the good consent of both the parsonnes . " 17 In a more overtly political treatise , An Heptameron of Civill Discourses , George Whetstone writes , " the office of Free choise , is the ...
... writes : " Wedloke must be coupled togither with the good consent of both the parsonnes . " 17 In a more overtly political treatise , An Heptameron of Civill Discourses , George Whetstone writes , " the office of Free choise , is the ...
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Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
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