Modern Typography: An Essay in Critical HistoryPrinceton Architectural Press, 1. 9. 2004. - 224 страница Modern Typography, 2nd Edition is a completely updated and revised edition of Robin Kinross's classic survey of European and North American typography since 1700, first published in 1992. In addition to numerous new illustrations and revised text, Modern Typography has been re-scaled to a new, convenient pocket format. Kinross's overview breaks ground by focusing on the history of typography as an intricate web of social, technical, and material processes, rather than a parade of typeface styles. Eye magazine calls Modern Typography the book that tells "how modern typography got to be the way it is." Together, Kinross's clear, concise writing combined with his extensive knowledge of the history of typography create a gold standard for how design history ought to be written. |
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Страница 30
... letterforms , Fournier's work in systematization was taken up and developed by members of the Didot family , who dominated all aspects of typography - type- founding , paper - making , printing and publishing – in France in the later ...
... letterforms , Fournier's work in systematization was taken up and developed by members of the Didot family , who dominated all aspects of typography - type- founding , paper - making , printing and publishing – in France in the later ...
Страница 91
... letterform ( see chapter 10 ) . This special context figures in attitudes to the letters of Ju- gendstil . Having no real tradition of roman letterforms , and with its blackletter forms increasingly degraded and under attack , the ...
... letterform ( see chapter 10 ) . This special context figures in attitudes to the letters of Ju- gendstil . Having no real tradition of roman letterforms , and with its blackletter forms increasingly degraded and under attack , the ...
Страница 165
... letterforms . Notable explorations in this field , from the late 1970s , were the TeX and Metafont projects of ... letterforms of Metafont were generated from the strokes of an imaginary pen ; but , as others were soon to suggest ...
... letterforms . Notable explorations in this field , from the late 1970s , were the TeX and Metafont projects of ... letterforms of Metafont were generated from the strokes of an imaginary pen ; but , as others were soon to suggest ...
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Preface acknowledgements | 8 |
Modern typography | 13 |
Enlightenment origins | 22 |
Ауторска права | |
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advertising aesthetic approach artistic Arts & Crafts Bauhaus became become blackletter book design book typography Britain British composition context culture Didot discussion Dwiggins early edition elements Emil Ruder Eric Gill especially essay example font format forms Fournier Froshaug German Gerstner Gill graphic design idea ideal images industry issue italic Jan Tschichold Johnston journal Jugendstil Kelmscott Larisch legibility letterforms letterpress letters Linotype London machine Mardersteig material Max Bill ment Metafont modern typography modernist modernist typography Monotype Corporation Morris movement neue Typographie Neville Brody notably ornaments paper Paul Renner Poeschel practice printers printing trade Printing types private press production programme published rational reform revival roman Ruder sanserif Schrift standard Stanley Morison style suggested Swiss typography tion tradition type design typeface typeface design typefoundry typesetting typo Typografie typographic design typographic history Typographische Updike Updike's Vinne visual W. A. Dwiggins Werkbund