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TEAR death?-to feel the fog in my throat,

The mist in my face,
When the snows begin, and the blasts denote

I am nearing the place,
The power of the night, the press of the storm,

The post of the foe;
Where he stands, the Arch Fear in a visible form,

Yet the strong man must go: For the journey is done and the summit attained,

And the barriers fall,
Though a battle's to fight ere the guerdon be gained,

The reward of it all.
I was ever a fighter, so-one fight more,

The best and the last! I would hate that death bandaged my eyes, and forbore,

And bade me creep past. No! let me taste the whole of it, fare like my peers

The heroes of old, Bear the brunt, in a minute pay glad life's arrears

Of pain, darkness and cold. For sudden the worst turns the best to the brave,

The black minute's at end, And the elements' rage, the fiend-voices that rave,

Shall dwindle, shall blend, Shall change, shall become first a peace out of pain,

Then a light, then thy breast, O thou soul of my soul! I shall člasp thee again,

And with God be the rest!

A Picture by Leighton

PUT give them me, the mouth, the eyes, the brow! D Let them once more absorb me! One look now

Will lap me round for ever, not to pass Out of its light, though darkness lie beyond: Hold me but safe again within the bond

Of one immortal look ! All woe that was,

Of one immd all terror that maye.Took at me!

Defied,-no past is mine, no future: look at me!

YOUTH AND ART

IT once might have been, once only:
1 We lodged in a street together,
You, a sparrow on the housetop lonely,

I, a lone she-bird of his feather.
Your trade was with sticks and clay,

You thumbed, thrust, patted and polished,
Then laughed “They will see some day

“Smith made, and Gibson demolished.” My business was song, song, song;

Î chirped, cheeped, trilled and twittered, “Kate Brown's on the boards ere long,

“And Grisi's existence embittered!"
I earned no more by a warble

Than you by a sketch in plaster;
You wanted a piece of marble,

I needed a music-master.

We studied hard in our styles,

Chipped each at a crust like Hindoos, For air looked out on the tiles,

For fun watched each other's windows.

You lounged, like a boy of the South,

Cap and blouse—nay, a bit of beard too; Or you got it, rubbing your mouth

With fingers the clay adhered to. And I-soon managed to find

Weak points in the flower-fence facing, Was forced to put up a blind

And be safe in my corset-lacing. No harm! It was not my fault

If you never turned your eye's tail up As I shook upon E in alt,

Or ran the chromatic scale up: For spring bade the sparrows pair,

And the boys and girls gave guesses, And stalls in our street looked rare

With bulrush and watercresses.

Why did not you pinch a flower

In a pellet of clay and fling it? Why did not I put a power

Of thanks in a look, or sing it?

I did look, sharp as a lynx,

(And yet the memory rankles) When models arrived, some minx

Tripped up-stairs, she and her ankles.

But I think I gave you as good!

“That foreign fellow,—who can know “How she pays, in a playful mood,

“For his tuning her that piano?'

Could you say so, and never say,

“Suppose we join hands and fortunes, “And I 'fetch her from over the way,

“Her, piano, and long tunes and short tunes?" No, no: you would not be rash,

Nor I rasher and something over:
You've to settle yet Gibson's hash,

And Grisi yet lives in clover.
But you meet the Prince at the Board,

I'm queen myself at bals-paré,
I've married a rich old lord,

And you're dubbed knight and an R.A.
Each life unfulfilled, you see;

It hangs still, patchy and scrappy:
We have not sighed deep, laughed free,

Starved, feasted, despaired, -been happy.
And nobody calls you a dunce,

And people suppose me clever:
This could but have happened once,

And we missed it, lost it for ever.

A FACE

IF one could have that little head of hers
I Painted upon a background of pale gold,
Such as the Tuscan's early art prefers!

No shade encroaching on the matchless mould Of those two lips, which should be opening soft

In the pure profile; not as when she laughs, For that spoils all: but rather as if aloft

Yon hyacinth, she loves so, leaned its staff's Burthen of honey-coloured buds to kiss And capture 'twixt the lips apart for this. Then her lithe neck, three fingers might surround, How it should waver on the pale gold ground Up to the fruit-shaped, perfect chin it lifts! I know, Correggio loves to mass, in rifts

[graphic]

IF ONE COULD HAVE THAT LITTLE HEAD OF HERS

PAINTED UPON A BACKGROUND OF PALE GOLD

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