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MELIBEUS-HIPPONAX.

THE

Biglow Papers,

SECOND SERIES.

Ἔστιν ἄρ ̓ ὁ ἰδιωτισμὸς ἐνίοτε τοῦ κόσμου παραπολὺ ἐμφανιστικώτερον.

LONGINUS.

"J'aimerois mieulx que mon fils apprinst aux tavernes à parler, qu'aux escholes de la parlerie."

MONTAIGNE.

„Unser Sprach ist auch ein Sprach und kan so wohl ein Sack nennen als die Latiner

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ΤΟ

E. R. HOAR.

"Multos enim, quibus loquendi ratio non desit, invenias, quos curiose potius loqui dixeris quam Latine; quomodo et illa Attica anus Theophrastum, hominem alioqui disertissimum, annotata unius affectatione verbi, hospitem dixit, nec alio se id deprehendisse interrogata respondit, quam quod nimium Attice loqueretur."— QUINTILIANUS.

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"Et Anglice sermonicari solebat populo, sed secundum linguam Norfolchie ubi natus et nutritus erat." -CRONICA JOCELINI.

"La politique est une pierre attachée au cou de la littérature, et qui en moins de six mois la submerge. Cette politique va offenser mortellement une moitié des lecteurs, et ennuyer l'autre qui l'a trouvée bien autrement spéciale et énergique dans le journal du matin."-- HENRI BEYLE.

INTRODUCTION.

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THOUGH prefaces seem of late to have | I felt or fancied a certain humorous elefallen under some reproach, they have at least this advantage, that they set again on the feet of our personal consciousness and rescue us from the gregarious mock-modesty or cowardice of that we which shrills feebly throughout modern literature like the shrieking of mice in the walls of a house that has passed its prime. Having a few words to say to the many friends whom the "Biglow Papers" have won me, I shall accordingly take the freedom of the first person singular of the personal pronoun. Let each of the goodnatured unknown who have cheered me by the written communication of their sympathy look upon this Introduction as a private letter to himself.

ment in the real identity of the two under a seeming incongruity. Mr. Wilbur's fondness for scraps of Latin, though drawn from the life, I adopted deliberately to heighten the contrast. Finding soon after that I needed some one as a mouthpiece of the mere drollery, for I conceive that true humor is never divorced from moral conviction, I invented Mr. Sawin for the clown of my little puppet-show. I meant to embody in him that half-conscious unmorality which I had noticed as the recoil in gross natures from a puritanism that still strove to keep in its creed the intense savor which had long gone out of its faith and life. In the three I thought I should find room enough to express, as it was my plan to do, the popular feeling and opinion of the time. For the names of two of my characters, since I have received some remonstrances from very worthy persons who happen to bear them, I would say that they were purely fortuitous, probably mere unconscious memories of signboards or directories. Mr. Sawin's sprang from the accident of a rhyme at the end of his first epistle, and I purposely chris

Birdofredum not more to stigmatize him as the incarnation of "Manifest Destiny," in other words, of national recklessness as to right and wrong, than to avoid the chance of wounding any private sensitive

When, more than twenty years ago, I wrote the first of the series, I had no definite plan and no intention of ever writing another. Thinking the Mexican war, as I think it still, a national crime committed in behoof of Slavery, our common sin, and wishing to put the feeling of those who thought as I did in a way that would tell, I imagined to myself such an upcountry man as I had often seen at antislavery gatherings, capable of district-school Eng-tened him by the impossible surname of lish, but always instinctively falling back into the natural stronghold of his homely dialect when heated to the point of selfforgetfulness. When I began to carry out my conception and to write in my assumed character, I found myself in a straitness. between two perils. On the one hand, I was in danger of being carried beyond the limit of my own opinions, or at least of that temper with which every man should speak his mind in print, and on the other I feared the risk of seeming to vulgarize a deep and sacred conviction. I needed on occasion to rise above the level of mere patois, and for this purpose conceived the Rev. Mr. Wilbur, who should express the more cautious element of the New England character and its pedantry, as Mr. Biglow should serve for its homely common-sense vivified and heated by conscience. The parson was to be the complement rather than the antithesis of his parishioner, and

The success of my experiment soon began not only to astonish nie, but to make me feel the responsibility of knowing that I held in my hand a weapon instead of the mere fencing-stick I had supposed. Very far from being a popular author under my own name, so far, indeed, as to be almost unread, I found the verses of my pseudonyme copied everywhere; I saw them pinned up in workshops; I heard them quoted and their authorship debated; I once even, when rumor had at length caught up my name in one of its eddies, had the satisfaction of overhearing it demonstrated, in the pauses of a concert, that I was utterly incompetent to have writ

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