Paradise Lost (Hughes Edition)Hackett Publishing, 1. 1. 2003. - 384 страница Since its publication by Odyssey Press in 1935, Hughes's richly annotated edition--revised in 1962--remains the preferred text of many instructors. |
Из књиге
Резултати 1-5 од 43
Страница xv
... grand opera scene in Pandaemonium where his final disappearance in serpent form begins with the rising orchestral roar of recognition by his followers and ends in their involuntary hisses — hisses that Dr. Edith Sitwell thinks are XV VI.
... grand opera scene in Pandaemonium where his final disappearance in serpent form begins with the rising orchestral roar of recognition by his followers and ends in their involuntary hisses — hisses that Dr. Edith Sitwell thinks are XV VI.
Страница xviii
... Serpent , appears confusedly , covered with leaves . Conscience , in a shape , accuses him ; Justice cites him to the place whither Jehovah called for him . In the meantime the Chorus entertains the stage and is informed by some Angel ...
... Serpent , appears confusedly , covered with leaves . Conscience , in a shape , accuses him ; Justice cites him to the place whither Jehovah called for him . In the meantime the Chorus entertains the stage and is informed by some Angel ...
Страница xx
... serpent form in Book X. The first shock to any admiration for him in a reader's mind comes when he meets his allegorical daughter Sin and his incestuously begotten grandson Death at Hell's gates ( II , 648-883 ) . For over two centuries ...
... serpent form in Book X. The first shock to any admiration for him in a reader's mind comes when he meets his allegorical daughter Sin and his incestuously begotten grandson Death at Hell's gates ( II , 648-883 ) . For over two centuries ...
Страница xxi
... Serpent . " 16. But Milton was too much a humanist and at the same time too much interested in the historical truth to be found in the Bible to be content to treat the battle in heaven as sheer allegory . The biblical INTRODUCTION xxi.
... Serpent . " 16. But Milton was too much a humanist and at the same time too much interested in the historical truth to be found in the Bible to be content to treat the battle in heaven as sheer allegory . The biblical INTRODUCTION xxi.
Страница xxii
... serpent or other monstrous forms . The forms might be allegory , but for Milton the legends about the Titans ' war with the gods of light on Olympus were proof of a core of some kind of historical truth in the revolt of the angels . 17 ...
... serpent or other monstrous forms . The forms might be allegory , but for Milton the legends about the Titans ' war with the gods of light on Olympus were proof of a core of some kind of historical truth in the revolt of the angels . 17 ...
Садржај
XI | 1 |
XII | 5 |
XIII | 30 |
XIV | 60 |
XV | 83 |
XVI | 113 |
XVII | 138 |
XVIII | 163 |
XIX | 183 |
XX | 202 |
XXI | 234 |
XXII | 265 |
XXIII | 290 |
XXIV | 309 |
Друга издања - Прикажи све
Чести термини и фразе
Adam Adam and Eve Adam's Aeneid angels appear'd Areopagitica battle in Heaven Beast Beelzebub behold Belial bliss Book bright C. S. Lewis C.Ed call'd Celestial Chaos Cherubim Cloud Comus creation Creatures dark Death deep devils Divine Du Bartas dwell Earth Eternal Ev'ning evil eyes fair Faith fall Father fire Flow'rs Fruit Gates Genesis glory God's Gods grace ground hand happy hath Heav'n heav'nly Hell Hesiod highth Hill John Milton keeps its Latin King Latin Latin meaning light live Lord Nature Night Ovid Paradise Lost passage poem Psalm rais'd Raphael repli'd return'd Satan says seem'd Serpent sight soon spake Spirits stars stood sweet taste thee thence things thir thou hast thought Throne Timaeus tradition Tree turn'd VIII virtue wings words World Zeus